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Daniel García Andújar

Diyila Dagbani Wikipedia
Daniel García Andújar
Almoradí (en) Translate, 1966 (run 57/58)
O ya TiŋgbaŋSpain
Education
Bala yɛlibu, sabbu bee buɣisibuSpanish
Tuma
Tumafoot ŋmara, writer (en) Translate, activist (en) Translate ni new media artist (en) Translate
Tuma sheeBarcelona
danielandujar.org ni danielandujar.org

Daniel García Andújar (Yuuni 1966 ka bɛ dɔɣi o Almoradí) ka o nyɛ ŋun bɔhim nuuni tuunbaŋsim o tɔli, ka o tuma zaa be Spain. O bela Barcelona ka lahi tumdi ni. O tuma nyɛla din gili dunia yaɣa pam, hali ti tabila Manifesta 4, Venice Biennale ni documenta 14 Athens, Kassel.[1]

  • 1996–2011: Technologies To The People, began in 1996 is an historical net.art project.[2]
  • 2003: X-devian. The New Technologies to the People System.[3]
  • 2004: Postcapital Archive (1989–2001).[4]
  • 2011: A vuelo de pájaro Let's Democratize Democracy.[5]
  • 2006 – Postcapital, Palau de la Virreina, Barcelona, Spain.
  • 2008 – Anna Kournikova Deleted By Memeright Trusted System – Art in the Age of Intellectual Property.[6] Postcapital Archive. Hartware MedienKunstVerein, PHOENIX Halle Dortmund, Germany. Curated by: Inke Arns and Francis Hunger
  • 2008 – Unrecorded, Akbank Sanat, Istanbul, Turkey. Curated by Basak Senova.
  • 2008 – Herramientas del arte. Relecturas (Tools of Art: Re-readings), Parpalló, Valencia. With Rogelio López Cuenca and Isidoro Valcárcel Medina, Curated by: Álvaro de los Ángeles. Spain.
  • 2008 -Banquete_nodos y redes. LABoral Centro de Arte y Creación Industrial, Gijón, Curated by: Karin Ohlenschläger. Spain.
  • 2008 -The Wonderful World of irational.org: Tools, Techniques and Events 1996–2006. Museum of Contemporary Art Vojvodina, Novi Sad. Curators: Inke Arns (Dortmund) and Jacob Lillemose (Kopenhagen). Serbia.
  • 2009 – Postcapital. Archive 1989–2001,[7] Württembergischer Kunstverein, Stuttgart. Curated by Iris Dressler and Hans D. Christ.
  • 2009 – Postcapital (Mauer), Museum for Modern Art, Bremen, Germany. Curated by Dr. Anne Thurmann-Jajes.
  • 2009 – Subversive Praktiken, Württembergischer Kunstverein, Stuttgart.
  • 2009 – Postcapital Archive. The Unavowable Community.[8] Catalan Pavilion, 53. Biennale, Venice. Curated by Valentin Roma.
  • 2009 – Postcapital Archive (1989–2001), Iberia Art Center, Beijing. Curated by Valentin Roma.
  • 2010 – Postkapital Arşiv 1989–2001 Sedat Yazici Riva Foundation for Education, Culture and Art, Istanbul[9] Curated by Basak Senova.
  • 2010 – BARCELONA – VALÈNCIA – PALMA. A History of Confluence and Divergence. Objects of desire. Centre de Cultura Contemporània de Barcelona, Spain. Curated by Ignasi Aballí, Melcior Comes and Vicent Sanchis.
  • 2010 – Postcapital Archive (1989–2001) . Total Museum of Contemporary Art, Seoul, South Korea. Curated by Nathalie Boseul Shin and Hans D. Christ.
  • 2010 – Postcapital Archive (1989–2001) La comunidad inconfesable, Bòlit, Centre d’Art Contemporani, Girona, Spain. Curated by Valentín Roma.
  • 2010 – The Wall. Postcapital Archive (1989–2001), Espai Visor, Valencia.
  • 2015 – Sistema Operativo. Museo Nacional Centro de Arte Reina Sofía. Curated by Manuel Borja-Villel.
  • 2015 – Naturaleza vigilada / Überwachte Natur, Museo Vostell Malpartida.[10]
  • Museo Nacional Centro de Arte Reina Sofía, Madrid
  • Institut Valencià d'Art Modern (IVAM), Valencia
  • Museu d'Art Contemporani de Barcelona (MACBA), Barcelona
  • ARTIUM – Basque Museum Center of Contemporary Art, Vitoria-Gasteiz
  • Museo de Arte Contemporáneo de Castilla y León (MUSAC), Léon
  • CA2M – Centro de Arte Dos de Mayo, Madrid
  • Centro de Artes Visuales Helga de Alvear, Cáceres
  • Es Baluard Museu d’Art Modern, Palma de Mallorca
  • Museu d´Art Jaume Morera, Lleida
  • Banco De España, Madrid
  • Walker Art CenterMinneapolis, MN
  • The Newark MuseumNewark, NJ
  • les Abattoirs – FRAC Midi-PyrénéesToulouse

Bukunima din gahim piigi

[mali niŋ | mali mi di yibu sheena n-niŋ]
  • Hans D. Christ, Iris Dressler (ed.): Technologies To The People. "Postcapital Archive (1989–2001)" Daniel Garcia Andujar, Hatje Cantz Verlag, edited 2011. ISBN 978-3-7757-3170-6.
  • Daniel G. Andújar, Operating System, Authors: Jacob Lillemose, Iris Dressler, Javier de la Cueva, José Luis Pardo, Alberto López Cuenca, Isidoro Valcárcel Medina. Museo Nacional Centro de Arte Reina Sofía, Madrid, 2015, ISBN 978-84-8026-506-5 NIPO: 036-15-006-1
  • Daniel G. Andújar: Naturaleza vigilada. Überwachte Natur. Museo Vostell Malpartida, Cáceres, 2015, Deposito legal Cc-285-2015.
  • Ackers, Susanne; Arns, Inke; Hunger, Francis; Lillemose, Jacob, eds. (2007). The Hartware Guide to Irational.org. Frankfurt/Main: Revolver Books. ISBN 978-3-86588-299-8.
  • Hans D. Christ, Iris Dressler (Hrsg.): Technologies To The People. "Postcapital Archive (1989–2001)" Daniel Garcia Andujar, Hatje Cantz Verlag, Ostfildern 2011 ISBN 978-3-7757-3170-6
  1. ↑ [http://lttds.blogspot.com/2009/03/catalan-pavilion-53rd-venice-biennale.html Catalan Pavilion, 53rd Venice Biennale: "Venezia-Catalunya 2009,Documenta 14 . La Comunitat Inconfessable"
  2. ↑ Technologies To The People
  3. ↑ x-devian
  4. ↑ Postcapital Archive.
  5. ↑ Let's Democratize Democracy
  6. ↑ Library Art in the Age of Intellectual Property
  7. ↑ Postcapital. Archive 1989–2001 Kunstverein Stuttgart
  8. ↑ The Unavowable Community.
  9. ↑ Postkapital Arşiv 1989–2001[permanent dead link]
  10. ↑ Naturaleza vigilada / Überwachte Natur, Museo Vostell Malpartida, 2015.

Tɛmplet:ACArt

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