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Martine Syms

Diyila Dagbani Wikipedia
Martine Syms
Los Angeles, 1988 (run 35/36)
O ya TiŋgbaŋAmerica
ResidenceLos Angeles
African Americans (en) Translate
Education
Shikuru shɛli o ni chaŋSchool of the Art Institute of Chicago (en) Translate 2007)
Bard College (en) Translate 2017)
Shɛhira gbaŋBachelor of Fine Arts (en) Translate
Master of Fine Arts (en) Translate
Bala yɛlibu, sabbu bee buɣisibuSilmiinsili
Tuma
Tumafilmmaker (en) Translate ni artist (en) Translate
Tuma sheeLos Angeles
Notable workThe African Desperate (en) Translate
Pin' shɛŋa o ni dee
Nira zaŋtiAunt Sister (en) Translate
IMDbnm8650809
martinesy.ms

Martine Syms (bɛ dɔɣi o la yuuni 1988) ka o nyɛ nuuni tuunbaŋda ŋun ʒi Los Angeles, ka sabiri lahabaya, shiniinima, ka lahi nyɛ deen-dɛmda. O tumanima pam tooi dalimla paɣaba ni gbansabila.[1] Syms tooi deeri niriba haŋkali o tuma ni.[1] Yuuni 2007, o daa yina ni yɛltɔɣa niɣinli "Conceptual Entrepreneur" ni o zaŋli buɣisi nuuni tuunbaŋsim.[2]

Martine Syms nira ŋun zaani tiri o n-nyɛ Sadie Coles HQ[3] mini Sprüth Magers.

Syms daa nyɛla ŋun ŋmeri bolli ka ŋmeritiri bol'ŋmeri yili yuli booni Sativa Football Club, ka daa nyɛ ŋun ŋmeri sunsuuni.[4]

Collections, Lectures and Exhibitions

[mali niŋ | mali mi di yibu sheena n-niŋ]

Lectures and Conferences[5]

[mali niŋ | mali mi di yibu sheena n-niŋ]
  • William Greaves: Psychodrama, Interruption, and Circulation, Lewis Center for the Arts, Princeton University, Princeton NJ, co-organized with Fia Backström, Feb 21, 2020
  • with Colin Self, Sadie Coles HQ, London, Oct 1, 2018
  • March Meeting 2018: Active Forms, Sharjah Art Foundation, Shuwaihen, Sharjah, UAE, Mar 17-19, 2018
  • Experience It: Martine Syms, A conversation with Martine Syms, Sharon Hayes and Jon Rafman, The Lab with California College of the Arts, San Francisco CA, USA, February 26, 2018
  • Lounge Talk, Yebisu International Festival for Art and Alternative Visions, Tokyo Photographic Museum, Tokyo, Japan, February 9, 2018
  • Martine Syms and Rizvana Bradley in conversation, Raven Row, London, England, April 23, 2017
  • Friday Flights at the Getty, Getty Center, Los Angeles CA, USA, August 26, 2016
  • Martine Syms, Todd Madigan Gallery & Department of Art at California State University, Bakersfield CA, USA, February 16, 2016
  • Tip of Her Tongue: Martine Syms 'Misdirected Kiss', The Oculus Hall at The Broad, Los Angeles CA, USA, January 21, 2016
  • A Pilot For A Show About Nowhere, PNCA Mediatheque, Portland OR, USA, May 12, 2015
  • Seven on Seven, 7th Edition: Empathy & Disgust, Rhizome, New York NY, USA, May 2, 2015
  • Lessons of the Tradition, California State University at Long Beach, Long Beach CA, USA, 2015
  • Quality Television, Light Industry, New York NY, USA April 28, 2015
  • Lessons of the Tradition, Pomona College, Claremont CA, USA, 2015
  • Nite Life, O, Miami Poetry Festival, Miami FL, USA, 2015
  • In the Archives, Contemporary Artists Books, Los Angeles CA, USA, 2015
  • Lessons of the Tradition, Virginia Commonwealth University, Richmond VA, USA, 2014
  • Black Radical Imagination II, REDCAT, Los Angeles CA, USA, November 14, 2014
  • Black Vernacular: Lessons of the Tradition, London College of Communication, London, England, October 17, 2014
  • Do You Follow? Art in Circulation, Rhizome/ICA Institute of Contemporary Art London, London, England, Oct 15-17, 2014
  • Black Vernacular: Lessons of the Tradition, Oberlin College & Observatory, Oberlin OH, USA, April 29, 2014
  • Most Days, Moogfest Biennial, Asheville NC, USA, April 26, 2014
  • Black Vernacular, Insights 2014 Design Lecture Series, Walker Art Center, Minneapolis MN, USA, March 18, 2014
  • Direct Design, Minneapolis College of Art and Design, Minneapolis MN, USA, 2014
  • Most Days, Arts Incubator, University of Chicago, Chicago IL, USA, 2014
  • Direct Design, Otis College of Art and Design, Los Angeles CA, USA, 2014
  • Becoming Artists: Critique, Originality & Identity - Managing Biography: Negotiating Audience, Yale University, New Haven CT, USA, February 8, 2014
  • New Paradigms in Digital Media 'Mainstreaming' a DIY Culture, Johns Hopkins University, Baltimore MD, USA, April 13, 2013
  • Conceptual Entrepreneurism, Maryland Institute College of Art, Baltimore MD, USA, 2013
  • Black Vernacular: Reading New Media, SXSW, Austin TX, USA, 2013
  • Science Fiction & What It Feels Like To (Already) Live In the Future, Actual Size, Los Angeles CA, January 11, 2013
  • Real Talk, California Institute of the Arts, Valencia CA, USA, November 5, 2012
  • Reading Politics, Summer Forum, Chicago IL, USA, 2012
  • The Didactic Possibilities of Film Titles, Houston Museum of African American Art, Houston TX, USA, 2011
  • Artist/Authors, The Gregory School, Houston TX, USA, 2011
  • Implications & Distinctions, Project Row Houses, Houston TX, USA, 2011
  • Future Plan and Program - Lecture by Steffani Jemison and Martine Syms, Prairie View A & M University, Prairie View TX, USA, April 19, 2011
  • The Green Gallery (Milwaukee), YOU CAN DEPEND ON THE SUNSHINE: Paul Cowan, Marco Kane, Martine Syms, 2007[14]
  • New Museum (New York), Museum as Hub: Alpha's Bet Is Not Over Yet, 2011[5]
  • MCA Chicago, We Are Here: Art & Design Out of Context, 2011[15]
  • The Green Gallery (Milwaukee), Three Card Monte, 2011[5]
  • Public Fiction (Los Angeles), Act II: The Props, 2012[5]
  • Institute of Contemporary Art (Philadelphia), First Among Equals, 2012 [16][17]
  • Badlands Unlimited, Apple iTunes, How to Download a Boyfriend, 2012[5]
  • Acid Rain TV (New York), The Didactic Possibilities of Film Titles, 2012[5]
  • Young Art (Los Angeles), Mise-En-Scéne, 2012[5]
  • Transfer Gallery (New York), gURLs, 2013[5]
  • Aran Cravey (Los Angeles), Rhetoric, 2014[5]
  • New Museum (New York), First Look: Martine Syms: Reading Trayvon Martin, 2014[5]
  • 356 Mission (Los Angeles), Another Cats Show, 2014[5]
  • REDCAT (Los Angeles), Small New Films, 2014[5]
  • Cooper Union (New York), Black Radical Imagination, 2014[5]
  • Studio Museum (Harlem, New York), Speaking of People: Ebony, Jet and Contemporary Art, 2014–2015[18]
  • Project Row Houses (Houston, Texas), How We Work, 2015[5]
  • Todd Madigan Gallery (California State University), Open House, 2015[5]
  • ACTRE TV acretv.org, Tele-novela, 2015[5]
  • Chan Gallery, Pomona College (Claremont), Candice Lin/Martine Syms, 2015[5]
  • ICA Institute of Contemporary Art London (London, England), Artists' Film Club: Avant-Noir, Volume 2, 2015[5]
  • Bureau (New York), The Daily Show, 2015[5]
  • Walker Art Center (Minneapolis), Intangibles, 2015[5]
  • New Museum (New York), 2015 Triennial: Surround Audience, 2015[19]
  • The Coming Community, Artspace NZ (Auckland, New Zealand), Potentially Yours, 2016[5]
  • Astrup Fearnley Museet (Oslo, Norway), Los Angeles - A Fiction, 2016[5]
  • Galerie Conradi (Hamburg, Germany), Umwelt Inversion, 2016[5]
  • Oakville Galleries (Oakville, Canada), Down To Write You This Poem Sat, 2016[5]
  • Occidental Temporary (Paris, France), Cool Memories, 2016[5]
  • International Center of Photography (New York), Public, Private, Secret, 2016[5]
  • Hammer Museum (Los Angeles), Made in L.A. 2016: a, the, though, only[20]
  • Atlanta Contemporary (Atlanta), It Can Howl, 2016[5]
  • HOME (Manchester, England), Imitation of Life: Melodrama and Race in the 21st Century, 2016[5]
  • Whitechapel Gallery (London, England), Electronic Superhighway (2016-1966), 2016[5]
  • Index Stockholm- The Swedish Contemporary Art Foundation (Stockholm, Sweden), Autobiography, 2016[5]
  • Franklin Street Works (Stamford), Cut-Up: Contemporary Collage and Cut-Up Histories through a Feminist Lens, 2016[5]
  • K11 Art Foundation pop-up space (Hong Kong), .COM/.CN, presented by K11 Art Foundation and Klaus Biesenbach and Peter Eleey, 2017[5]
  • Museum of Art, Architecture and Technology (Lisbon, Portugal), Electronic Superhighway (2016-1966), 2017[5]
  • ICA Institute of Contemporary Art Philadelphia (Philadelphia), Speech/Acts, 2017[5]
  • Artspace (Sydney, Australia), The Public Body, 2017[5]
  • The Mistake Room (Los Angeles), Analog Currency, 2017[5]
  • Chateau Shatto (Los Angeles), At This Stage, 2017[5]
  • Palazzo Contarini Polignac (Venice, Italy), Future Generation Art Prize @ Venice 2017, organised by the Victor Pinchuk Foundation, 2017[5]
  • The Kitchen (New York), That I am reading backwards and into for a purpose, to go on:, 2017[5]
  • Trinity Square Video (Toronto, Canada), What does one do with such a clairvoyant image?, 2017[5]
  • Raven Row (London, England), 56 Artillery Lane, 2017[5]
  • Galerie PCP (Paris, France), Our Words Return in Patterns (Part 1), 2017[5]
  • Whitney Museum (New York), Whitney Biennal, as part of the John Riepenhoff installation, 2017[5]
  • Musée d'art Contemporain de Lyon (Lyon, France), Los Angeles - A Fiction, 2017[5]
  • Pinchuk Art Centre (Kyiv, Ukraine), Exhibition of 21 Artists Shortlisted for the Future Generation Art Prize 2017, 2017[5]
  • Public Art Fund (New York), Commercial Break, 2017[5]
  • Dazibao (Montreal, Canada), I Am the Organizer of My Own Archive, 2017[5]
  • Team Gallery (New York), The Love Object (organized by Tom Brewer), 2017[5]
  • University of Michigan Museum of Art (Ann Arbour MI), Art in the Age of the Internet, 1989 To Today, 2018[5]
  • Madre museo d'arte contemporanea Donnaregina (Naples, Italy), Per_forming a collection. The Show Must Go_ON, 2018[5]
  • FRONT International: Cleveland Triennial For Contemporary Art, Toby Devan Lewis Gallery, Museum of Contemporary Art Cleveland, An Evening of Queen White, 2018[5]
  • Gwangju (South Korea), The 12th Gwangju Biennale Exhibition: Imagined Borders, 2018[5]
  • Grunwald Gallery, School of Art, Architecture + Design (Bloomington IN), Out of Easy Reach, 2018[5]
  • Kunstverein (Amsterdam, the Netherlands), Succession Sounds, 2018[5]
  • Whitney Museum of American Art (New York), Eckhaus Latta: Possessed, 2018[5]
  • Allen Memorial Art Museum (Oberlin OH), Radically Ordinary: Scenes form Black Life in America Since 1968, 2018[5]
  • Art Basel (Basel, Switzerland), Unlimited, 2018[5]
  • The Gallery, Michael's (Santa Monica CA), 2018[5]
  • Gallery 400 and DePaul Art Museum (Chicago IL), Out of Easy Reach, 2018[5]
  • Kadist Foundation (Paris, France), This is Utopia, to Some, 2018[5]
  • A Lone, installed adjacent to Capitol Hill Link rail station within city-wide project, Seattle WA, 2018[5]
  • Gordon Robichaux (New York), A Page from My Intimate Journal (Part 1), 2018[5]
  • Tokyo Photographic Art Museum (Tokyo, Japan), Yebisu International Festival for Art and Alternative Visions 2018, Mapping the Invisible, 2018[5]
  • ICA Institute of Contemporary Art Boston (Boston MA), Art in the Age of the Internet, 1989 to Today, 2018[5]
  • The Shed (New York), Manual Override, 2019[5]
  • Yuz Museum (Shanghai, China), tongewölbe T25 (Ingolstadt, Germany), In Production: Art and the Studio System, 2019[5]
  • Stony Island Arts Bank (Chicago IL), In the Absence of Light: Gesture, Humor and Resistance in The Black Aesthetic: Selections from the Beth Rudin DeWoody Collection, 2019[5]
  • Yerba Buena Center for the Arts (San Francisco CA), The Body Electric, 2019[5]
  • Luma Westbau, (Zürich Switzerland), It's Urgent! – Part II, 2019[5]
  • Gladstone Gallery (New York), Dry Land, 2019[5]
  • Hammer Museum (Los Angeles), Celebration of Our Enemies: Selections from the Hammer Contemporary Collection, 2019[5]
  • Los Angeles, The Foundation of the Museum: MOCA's Collection, Museum of Contemporary Art, 2019[5]
  • R & Company (New York), Chairs Beyond Right & Wrong, 2019[5]
  • Whitney Museum of American Art (New York), Whitney Biennial 2019, 2019[5]
  • Schinkel Pavillon (Berlin, Germany), Straying from the Line, 2019[5]
  • FuturDome (Milan, Italy), Hypertimes, 2019[5]
  • Lismore Castle Arts (Waterford, Ireland), Palimpsest, 2019[5]
  • Walker Art Centre (Minneapolis MN), The Body Electric, 2019[5]
  • ICA Institute of Contemporary Art at University of Pennsylvania (Philadelphia PA), Colored People Time: Mundane Futures, 2019[5]
  • MDC MOAD Miami Dade College Museum of Art and Design (Miami FL), The Body Electric, 2020[5]
  • The Luminary online (St. Louis MO), Self Maintenance Resource Center 2020, 2020[5]
  • TOWER MMK, MMK Frankfurt, (Frankfurt am Main Germany), Sammlung, 2020[5]
  • Gucci x Daelim Museum (Seoul, South Korea), No Space, Just a Place. Eterotopia, 2020[5]
  • Auckland Art Gallery (Auckland, New Zealand), Honestly Speaking: The Word, the Body and the Internet, 2020[5]
  • de Young Museum (San Francisco CA), Uncanny Valley: Being Human in the Age of AI, 2020[5]
  • Princeton University (Princeton NJ), William Greaves, Sondra Perry, Martine Syms, organized by Martine Syms, 2020[5]
  • MIT List Visual Arts Center (Cambridge MA), Colored People Time: Mundane Futures, Quotidian Pasts, Banal Presents, 2020[5]
  • Mary Porter Sesnon Art Gallery, UC University California Santa Cruz (Santa Cruz CA), We Are Not Aliens: Arthur Jafa, Martine Syms, and Afro-Futurism 2.0, as part of Beyond the End of the World: Approaches in Contemporary Art Seminar, 2020[5]