Martine Syms
Yi palo
Martine Syms | |
---|---|
Los Angeles, 1988 (run 35/36) | |
O ya Tiŋgbaŋ | America |
Residence | Los Angeles |
African Americans (en) | |
Education | |
Shikuru shɛli o ni chaŋ | School of the Art Institute of Chicago (en) 2007) Bard College (en) 2017) |
Shɛhira gbaŋ | Bachelor of Fine Arts (en) Master of Fine Arts (en) |
Bala yɛlibu, sabbu bee buɣisibu | Silmiinsili |
Tuma | |
Tuma | filmmaker (en) ni artist (en) |
Tuma shee | Los Angeles |
Notable work | The African Desperate (en) |
Pin' shɛŋa o ni dee | view
|
Nira zaŋti | Aunt Sister (en) |
IMDb | nm8650809 |
martinesy.ms |
Martine Syms (bɛ dɔɣi o la yuuni 1988) ka o nyɛ nuuni tuunbaŋda ŋun ʒi Los Angeles, ka sabiri lahabaya, shiniinima, ka lahi nyɛ deen-dɛmda. O tumanima pam tooi dalimla paɣaba ni gbansabila.[1] Syms tooi deeri niriba haŋkali o tuma ni.[1] Yuuni 2007, o daa yina ni yɛltɔɣa niɣinli "Conceptual Entrepreneur" ni o zaŋli buɣisi nuuni tuunbaŋsim.[2]
Martine Syms nira ŋun zaani tiri o n-nyɛ Sadie Coles HQ[3] mini Sprüth Magers.
Maŋmaŋa biɛhigu
[mali niŋ | mali mi di yibu sheena n-niŋ]Syms daa nyɛla ŋun ŋmeri bolli ka ŋmeritiri bol'ŋmeri yili yuli booni Sativa Football Club, ka daa nyɛ ŋun ŋmeri sunsuuni.[4]
Collections, Lectures and Exhibitions
[mali niŋ | mali mi di yibu sheena n-niŋ]Public Collections[5]
[mali niŋ | mali mi di yibu sheena n-niŋ]- Art Institute of Chicago, Chicago IL, USA
- Carré d'Art, Musée d'art contemporain, Nîmes, France
- Guggenheim Museums and Foundation, New York NY, USA
- Hammer Museum, Los Angeles CA, USA
- JFABC Joan Flasch Artists' Book Collection, Chicago IL, USA
- Joan Flasch Artists' Book Collection, Chicago IL, USA
- KADIST, Paris and San Francisco CA, USA
- LACMA Los Angeles County Museum of Art, Los Angeles CA, USA
- Leeds Art Gallery, Leeds, England
- MCA Museum of Contemporary Art Chicago, Chicago IL, USA
- MOCA Museum of Contemporary Art, Los Angeles CA, USA
- MoMA Museum of Modern Art, New York NY, USA
- Museum of Modern Art Library, New York NY, USA
- Perez Art Museum, Miami FL, USA
- San Antonio Museum of Art, San Antonio TX, USA
- Serralves Foundation, Porto, Portugal
- Studio Museum in Harlem, New York NY, USA
- Walker Art Center, Minneapolis MN, USA
- Whitney Museum of American Art, New York NY, USA
Lectures and Conferences[5]
[mali niŋ | mali mi di yibu sheena n-niŋ]- William Greaves: Psychodrama, Interruption, and Circulation, Lewis Center for the Arts, Princeton University, Princeton NJ, co-organized with Fia Backström, Feb 21, 2020
- with Colin Self, Sadie Coles HQ, London, Oct 1, 2018
- March Meeting 2018: Active Forms, Sharjah Art Foundation, Shuwaihen, Sharjah, UAE, Mar 17-19, 2018
- Experience It: Martine Syms, A conversation with Martine Syms, Sharon Hayes and Jon Rafman, The Lab with California College of the Arts, San Francisco CA, USA, February 26, 2018
- Lounge Talk, Yebisu International Festival for Art and Alternative Visions, Tokyo Photographic Museum, Tokyo, Japan, February 9, 2018
- Martine Syms and Rizvana Bradley in conversation, Raven Row, London, England, April 23, 2017
- Friday Flights at the Getty, Getty Center, Los Angeles CA, USA, August 26, 2016
- Martine Syms, Todd Madigan Gallery & Department of Art at California State University, Bakersfield CA, USA, February 16, 2016
- Tip of Her Tongue: Martine Syms 'Misdirected Kiss', The Oculus Hall at The Broad, Los Angeles CA, USA, January 21, 2016
- A Pilot For A Show About Nowhere, PNCA Mediatheque, Portland OR, USA, May 12, 2015
- Seven on Seven, 7th Edition: Empathy & Disgust, Rhizome, New York NY, USA, May 2, 2015
- Lessons of the Tradition, California State University at Long Beach, Long Beach CA, USA, 2015
- Quality Television, Light Industry, New York NY, USA April 28, 2015
- Lessons of the Tradition, Pomona College, Claremont CA, USA, 2015
- Nite Life, O, Miami Poetry Festival, Miami FL, USA, 2015
- In the Archives, Contemporary Artists Books, Los Angeles CA, USA, 2015
- Lessons of the Tradition, Virginia Commonwealth University, Richmond VA, USA, 2014
- Black Radical Imagination II, REDCAT, Los Angeles CA, USA, November 14, 2014
- Black Vernacular: Lessons of the Tradition, London College of Communication, London, England, October 17, 2014
- Do You Follow? Art in Circulation, Rhizome/ICA Institute of Contemporary Art London, London, England, Oct 15-17, 2014
- Black Vernacular: Lessons of the Tradition, Oberlin College & Observatory, Oberlin OH, USA, April 29, 2014
- Most Days, Moogfest Biennial, Asheville NC, USA, April 26, 2014
- Black Vernacular, Insights 2014 Design Lecture Series, Walker Art Center, Minneapolis MN, USA, March 18, 2014
- Direct Design, Minneapolis College of Art and Design, Minneapolis MN, USA, 2014
- Most Days, Arts Incubator, University of Chicago, Chicago IL, USA, 2014
- Direct Design, Otis College of Art and Design, Los Angeles CA, USA, 2014
- Becoming Artists: Critique, Originality & Identity - Managing Biography: Negotiating Audience, Yale University, New Haven CT, USA, February 8, 2014
- New Paradigms in Digital Media 'Mainstreaming' a DIY Culture, Johns Hopkins University, Baltimore MD, USA, April 13, 2013
- Conceptual Entrepreneurism, Maryland Institute College of Art, Baltimore MD, USA, 2013
- Black Vernacular: Reading New Media, SXSW, Austin TX, USA, 2013
- Science Fiction & What It Feels Like To (Already) Live In the Future, Actual Size, Los Angeles CA, January 11, 2013
- Real Talk, California Institute of the Arts, Valencia CA, USA, November 5, 2012
- Reading Politics, Summer Forum, Chicago IL, USA, 2012
- The Didactic Possibilities of Film Titles, Houston Museum of African American Art, Houston TX, USA, 2011
- Artist/Authors, The Gregory School, Houston TX, USA, 2011
- Implications & Distinctions, Project Row Houses, Houston TX, USA, 2011
- Future Plan and Program - Lecture by Steffani Jemison and Martine Syms, Prairie View A & M University, Prairie View TX, USA, April 19, 2011
Solo exhibitions
[mali niŋ | mali mi di yibu sheena n-niŋ]- Armory Center for the Arts (Pasadena, CA), Martine Syms, The Queen's English, 2014[6]
- Locust Projects (Miami), Art on the Move: Nite Life, 2015[7]
- White Flag Projects (Saint Louis, Missouri), Martine Syms, 2015[8]
- Machine Project (Los Angeles, CA), Notes on Gesture, 2015[5]
- Bridget Donahue (New York), Martine Syms: Vertical Elevated Oblique, 2015[9]
- Audain Gallery (Vancouver, Canada), Borrowed Lady, 2016[5]
- Human Resources (Los Angeles), Martine Syms: Black Box, 2016[10]
- Karma International (Beverly Hills, California), Martine Syms: com port ment, 2016
- Institute of Contemporary Art (London, England), Martine Syms: Fact & Trouble, 2016[11]
- Museum of Modern Art (New York), Projects 106: Martine Syms, 2017[12]
- Camden Arts Centre (London, England), VNXXCAS: Martine Syms, 2017[5]
- CONDO: Bridget Donahue hosted by Sadie Coles HQ (London, England), The Easy Demands, 2017[5]
- Bridget Donahue (New York), Martine Syms: Big Surprise, 2018[13]
- Graham Foundation (Chicago IL), Incense Sweaters & Ice, 2018[5]
- Art Institute of Chicago (Chicago IL), SHE MAD: Laughing Gas, 2018[5]
- Sadie Coles HQ (London, England), Grand Calme, 2018[5]
- Serralves Foundation (Porto, Portugal), Contemporary Projects: Martine Syms, 2018[5]
- Secession (Vienna, Austria), Boon, 2019[5]
- Institute of Contemporary Art at Virginia Commonwealth University (Richmond VA), Shame Space, 2019[5]
- Sadie Coles HQ off-site: 24 Cork Street (London, England), Ugly Plymouths, 2020[5]
- SLAM | Saint Louis Art Museum (St. Louis MO), New Media Series, 2020[5]
- 5239 Melrose Avenue (Los Angeles CA), New York, and Sadie Coles HQ (London, England), Ugly Plymouths, presented by Bridget Donahue, 2020[5]
- Bergen Kunsthall (Bergen, Norway), 2021[5]
Group exhibitions
[mali niŋ | mali mi di yibu sheena n-niŋ]- The Green Gallery (Milwaukee), YOU CAN DEPEND ON THE SUNSHINE: Paul Cowan, Marco Kane, Martine Syms, 2007[14]
- New Museum (New York), Museum as Hub: Alpha's Bet Is Not Over Yet, 2011[5]
- MCA Chicago, We Are Here: Art & Design Out of Context, 2011[15]
- The Green Gallery (Milwaukee), Three Card Monte, 2011[5]
- Public Fiction (Los Angeles), Act II: The Props, 2012[5]
- Institute of Contemporary Art (Philadelphia), First Among Equals, 2012 [16][17]
- Badlands Unlimited, Apple iTunes, How to Download a Boyfriend, 2012[5]
- Acid Rain TV (New York), The Didactic Possibilities of Film Titles, 2012[5]
- Young Art (Los Angeles), Mise-En-Scéne, 2012[5]
- Transfer Gallery (New York), gURLs, 2013[5]
- Aran Cravey (Los Angeles), Rhetoric, 2014[5]
- New Museum (New York), First Look: Martine Syms: Reading Trayvon Martin, 2014[5]
- 356 Mission (Los Angeles), Another Cats Show, 2014[5]
- REDCAT (Los Angeles), Small New Films, 2014[5]
- Cooper Union (New York), Black Radical Imagination, 2014[5]
- Studio Museum (Harlem, New York), Speaking of People: Ebony, Jet and Contemporary Art, 2014–2015[18]
- Project Row Houses (Houston, Texas), How We Work, 2015[5]
- Todd Madigan Gallery (California State University), Open House, 2015[5]
- ACTRE TV acretv.org, Tele-novela, 2015[5]
- Chan Gallery, Pomona College (Claremont), Candice Lin/Martine Syms, 2015[5]
- ICA Institute of Contemporary Art London (London, England), Artists' Film Club: Avant-Noir, Volume 2, 2015[5]
- Bureau (New York), The Daily Show, 2015[5]
- Walker Art Center (Minneapolis), Intangibles, 2015[5]
- New Museum (New York), 2015 Triennial: Surround Audience, 2015[19]
- The Coming Community, Artspace NZ (Auckland, New Zealand), Potentially Yours, 2016[5]
- Astrup Fearnley Museet (Oslo, Norway), Los Angeles - A Fiction, 2016[5]
- Galerie Conradi (Hamburg, Germany), Umwelt Inversion, 2016[5]
- Oakville Galleries (Oakville, Canada), Down To Write You This Poem Sat, 2016[5]
- Occidental Temporary (Paris, France), Cool Memories, 2016[5]
- International Center of Photography (New York), Public, Private, Secret, 2016[5]
- Hammer Museum (Los Angeles), Made in L.A. 2016: a, the, though, only[20]
- Atlanta Contemporary (Atlanta), It Can Howl, 2016[5]
- HOME (Manchester, England), Imitation of Life: Melodrama and Race in the 21st Century, 2016[5]
- Whitechapel Gallery (London, England), Electronic Superhighway (2016-1966), 2016[5]
- Index Stockholm- The Swedish Contemporary Art Foundation (Stockholm, Sweden), Autobiography, 2016[5]
- Franklin Street Works (Stamford), Cut-Up: Contemporary Collage and Cut-Up Histories through a Feminist Lens, 2016[5]
- K11 Art Foundation pop-up space (Hong Kong), .COM/.CN, presented by K11 Art Foundation and Klaus Biesenbach and Peter Eleey, 2017[5]
- Museum of Art, Architecture and Technology (Lisbon, Portugal), Electronic Superhighway (2016-1966), 2017[5]
- ICA Institute of Contemporary Art Philadelphia (Philadelphia), Speech/Acts, 2017[5]
- Artspace (Sydney, Australia), The Public Body, 2017[5]
- The Mistake Room (Los Angeles), Analog Currency, 2017[5]
- Chateau Shatto (Los Angeles), At This Stage, 2017[5]
- Palazzo Contarini Polignac (Venice, Italy), Future Generation Art Prize @ Venice 2017, organised by the Victor Pinchuk Foundation, 2017[5]
- The Kitchen (New York), That I am reading backwards and into for a purpose, to go on:, 2017[5]
- Trinity Square Video (Toronto, Canada), What does one do with such a clairvoyant image?, 2017[5]
- Raven Row (London, England), 56 Artillery Lane, 2017[5]
- Galerie PCP (Paris, France), Our Words Return in Patterns (Part 1), 2017[5]
- Whitney Museum (New York), Whitney Biennal, as part of the John Riepenhoff installation, 2017[5]
- Musée d'art Contemporain de Lyon (Lyon, France), Los Angeles - A Fiction, 2017[5]
- Pinchuk Art Centre (Kyiv, Ukraine), Exhibition of 21 Artists Shortlisted for the Future Generation Art Prize 2017, 2017[5]
- Public Art Fund (New York), Commercial Break, 2017[5]
- Dazibao (Montreal, Canada), I Am the Organizer of My Own Archive, 2017[5]
- Team Gallery (New York), The Love Object (organized by Tom Brewer), 2017[5]
- University of Michigan Museum of Art (Ann Arbour MI), Art in the Age of the Internet, 1989 To Today, 2018[5]
- Madre museo d'arte contemporanea Donnaregina (Naples, Italy), Per_forming a collection. The Show Must Go_ON, 2018[5]
- FRONT International: Cleveland Triennial For Contemporary Art, Toby Devan Lewis Gallery, Museum of Contemporary Art Cleveland, An Evening of Queen White, 2018[5]
- Gwangju (South Korea), The 12th Gwangju Biennale Exhibition: Imagined Borders, 2018[5]
- Grunwald Gallery, School of Art, Architecture + Design (Bloomington IN), Out of Easy Reach, 2018[5]
- Kunstverein (Amsterdam, the Netherlands), Succession Sounds, 2018[5]
- Whitney Museum of American Art (New York), Eckhaus Latta: Possessed, 2018[5]
- Allen Memorial Art Museum (Oberlin OH), Radically Ordinary: Scenes form Black Life in America Since 1968, 2018[5]
- Art Basel (Basel, Switzerland), Unlimited, 2018[5]
- The Gallery, Michael's (Santa Monica CA), 2018[5]
- Gallery 400 and DePaul Art Museum (Chicago IL), Out of Easy Reach, 2018[5]
- Kadist Foundation (Paris, France), This is Utopia, to Some, 2018[5]
- A Lone, installed adjacent to Capitol Hill Link rail station within city-wide project, Seattle WA, 2018[5]
- Gordon Robichaux (New York), A Page from My Intimate Journal (Part 1), 2018[5]
- Tokyo Photographic Art Museum (Tokyo, Japan), Yebisu International Festival for Art and Alternative Visions 2018, Mapping the Invisible, 2018[5]
- ICA Institute of Contemporary Art Boston (Boston MA), Art in the Age of the Internet, 1989 to Today, 2018[5]
- The Shed (New York), Manual Override, 2019[5]
- Yuz Museum (Shanghai, China), tongewölbe T25 (Ingolstadt, Germany), In Production: Art and the Studio System, 2019[5]
- Stony Island Arts Bank (Chicago IL), In the Absence of Light: Gesture, Humor and Resistance in The Black Aesthetic: Selections from the Beth Rudin DeWoody Collection, 2019[5]
- Yerba Buena Center for the Arts (San Francisco CA), The Body Electric, 2019[5]
- Luma Westbau, (Zürich Switzerland), It's Urgent! – Part II, 2019[5]
- Gladstone Gallery (New York), Dry Land, 2019[5]
- Hammer Museum (Los Angeles), Celebration of Our Enemies: Selections from the Hammer Contemporary Collection, 2019[5]
- Los Angeles, The Foundation of the Museum: MOCA's Collection, Museum of Contemporary Art, 2019[5]
- R & Company (New York), Chairs Beyond Right & Wrong, 2019[5]
- Whitney Museum of American Art (New York), Whitney Biennial 2019, 2019[5]
- Schinkel Pavillon (Berlin, Germany), Straying from the Line, 2019[5]
- FuturDome (Milan, Italy), Hypertimes, 2019[5]
- Lismore Castle Arts (Waterford, Ireland), Palimpsest, 2019[5]
- Walker Art Centre (Minneapolis MN), The Body Electric, 2019[5]
- ICA Institute of Contemporary Art at University of Pennsylvania (Philadelphia PA), Colored People Time: Mundane Futures, 2019[5]
- MDC MOAD Miami Dade College Museum of Art and Design (Miami FL), The Body Electric, 2020[5]
- The Luminary online (St. Louis MO), Self Maintenance Resource Center 2020, 2020[5]
- TOWER MMK, MMK Frankfurt, (Frankfurt am Main Germany), Sammlung, 2020[5]
- Gucci x Daelim Museum (Seoul, South Korea), No Space, Just a Place. Eterotopia, 2020[5]
- Auckland Art Gallery (Auckland, New Zealand), Honestly Speaking: The Word, the Body and the Internet, 2020[5]
- de Young Museum (San Francisco CA), Uncanny Valley: Being Human in the Age of AI, 2020[5]
- Princeton University (Princeton NJ), William Greaves, Sondra Perry, Martine Syms, organized by Martine Syms, 2020[5]
- MIT List Visual Arts Center (Cambridge MA), Colored People Time: Mundane Futures, Quotidian Pasts, Banal Presents, 2020[5]
- Mary Porter Sesnon Art Gallery, UC University California Santa Cruz (Santa Cruz CA), We Are Not Aliens: Arthur Jafa, Martine Syms, and Afro-Futurism 2.0, as part of Beyond the End of the World: Approaches in Contemporary Art Seminar, 2020[5]
Kundivihira
[mali niŋ | mali mi di yibu sheena n-niŋ]- 1 2 Martine Syms.
- ↑ "Fear and desire for connection and the blocks to it": artist Martine Syms on her exhibition Grand Calme.
- ↑ Coles, Sadie (June 30, 2024). Martine Syms on Sadie Coles.
- ↑ Martine Syms: 'Don't be afraid to be narcissistic' (September 9, 2018).
- 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 42 43 44 45 46 47 48 49 50 51 52 53 54 55 56 57 58 59 60 61 62 63 64 65 66 67 68 69 70 71 72 73 74 75 76 77 78 79 80 81 82 83 84 85 86 87 88 89 90 91 92 93 94 95 96 97 98 99 100 101 102 103 Martine Syms - Biography.
- ↑ Martine Syms, The Queen's English » Armory Center for the Arts.
- ↑ LOCUST PROJECTS.
- ↑ White Flag Projects.
- ↑ Martine Syms: Vertical Elevated Oblique | Martine Syms | Bridget Donahue.
- ↑ Human Resources Chinatown Los Angeles - Event Details - 2.6.2016 - 2.27.2016 Martine Syms "Black Box".
- ↑ Martine Syms: Fact & Trouble.
- ↑ Projects 106: Martine Syms.
- ↑ Martine Syms: Big Surprise | Exhibitions | Bridget Donahue.
- ↑ west - The Green Gallery.
- ↑ MCA – We Are Here: Art & Design Out of Context.
- ↑ Bodega.
- ↑ First Among Equals - ICA Philadelphia (August 30, 2013).
- ↑ Speaking of People | The Studio Museum in Harlem.
- ↑ 2015 Triennial: Surround Audience.
- ↑ Made in L.A. 2016: a, the, though, only | Hammer Museum (June 12, 2016).
Further reading
[mali niŋ | mali mi di yibu sheena n-niŋ]- Hunt, Amanda. "Martine Syms." aperture: The Magazine of Photography and Ideas. Ed. Michael Famighetti. New York: Aperture Foundation, 2016. 132–137.
- At MoMA, Martine Syms Puts Black Female Identity under the Lens. Artsy (May 31, 2017).
- St. Félix, Doreen. "How to Be a Successful Black Woman." The New Yorker, July 8, 2018. Retrieved August 11, 2020.
External links
[mali niŋ | mali mi di yibu sheena n-niŋ]- Official website
- Martine Syms | HOW TO SEE Projects 106 with Martine Syms, The Museum of Modern Art
- Flashartonline.com Archived Silimin gɔli February 5, 2017, at the Wayback Machine
- Archive.kchungradio.org
- Vimeo.com
- Dominica Publishing Archived Silimin gɔli December 9, 2022, at the Wayback Machine
Pubu pubu:
- Articles with short description
- Short description is different from Wikidata
- Webarchive template wayback links
- Articles with ISNI identifiers
- Pages with authority control identifiers needing attention
- Articles with VIAF identifiers
- Articles with WorldCat Entities identifiers
- Articles with BIBSYS identifiers
- Articles with GND identifiers
- Articles with LCCN identifiers
- Articles with MoMA identifiers
- Articles with ULAN identifiers
- Articles with SUDOC identifiers
- 1988 births
- Living people
- Artists from Los Angeles
- School of the Art Institute of Chicago alumni
- African-American contemporary artists
- American contemporary artists
- 21st-century American artists
- 21st-century American women artists
- 21st-century African-American artists
- 21st-century African-American women
- 20th-century American artists
- 20th-century American women artists
- 20th-century African-American artists
- 20th-century African-American women
- Lahabaya zaa
- Ninsala