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Eric Wesley

Diyila Dagbani Wikipedia
Eric Wesley
Los Angeles, 1973 (run 50/51)
O ya TiŋgbaŋAmerica
Tuma
Tumaartist (en) Translate ni assemblage artist (en) Translate
Tuma sheeLos Angeles

Eric Wesley (bɛ daa dɔɣi o la yuuni 1973) nyɛla Americanima nuchee ni baŋd. Wesley nyɛla bɛ ni daa dɔɣi so Los Angeles, California hali ni zuŋɔ ka na kuli be ni. O nyɛla ŋun mali "solo exhibitions" mini Museum of Contemporary Art, Los Angeles n-ti pahi Foundation Morra Greco, Naples, Italy.[1]

Wesley nyɛla ŋun daa deegi B.A. shikuru yuli booni University of California, Los Angeles

2012

  • 2 new works, Bortolami, NY

2011

  • The Same ‘Ol New Frontier, China Art Objects, Los Angeles

2010

  • D’Carts Blanche and New Paintings, Bortolami Gallery, New York

2009

  • New Realistic Figures, Maureen Paley, London

2008

  • Ship Shape Shit Shelf and the Empfang Box, Feurig59, Berlin

2007

  • Spaference Room, Bortolami Gallery, New York
  • Spafice, Foundation Morra Greco, Naples, Italy

2006

  • Audi, Meyer-Riegger Gallery, Karlsruhe, Germany
  • You say Tomato, I say Tomato, Galleria Fonti, Naples, Italy
  • Eric Wesley, China Art Objects Galleries, Los Angeles
  • MOCA FOCUS: Eric Wesley, Museum of Contemporary Art, Los Angeles

2005

  • Bowie-Van Valen Gallery, Amsterdam, Netherlands

2004

  • Pico Youth Center, China Art Objects Galleries, Los Angeles
  • I love WW2, Locust Projects, Miami, FL

2003

  • Jeans Theory, Statements, Art Basel, Basel, Switzerland

2002

  • Metro Pictures, New York
  • Enchilada “The Endless Burrito”, Meyer-Reigger Galerie, Karlsruhe, Germany
  • Ouchi, Galeria Franco Noero, Torino, Italy

2001

  • Two Story Clocktower, Caltech, Pasadena, CA

2000

  • Kicking Ass, China Art Objects Galleries, Los Angeles

1999

  • Camper, China Art Objects Galleries, Los Angeles

2011

  • Making Histories – Changing Views of the Collection, Temporary Stedelijk Museum 3, Amsterdam
  • Greater LA, 483 Broadway, SoHo, New York
  • BigMinis: Fetishes of Crisis, Musée d'Art Contemporain, Bordeaux, France

2010

  • The Artist's Museum, MOCA Geffen Contemporary, Los Angeles, CA
  • RE-DRESSING, Bortolami Gallery, New York, NY
  • The Inauguration of China Art Objects in Culver City, Los Angeles
  • Les enfants terribles, Fundacion Coleccion Jumex, Mexico
  • Video Journeys, Cottage Home, Los Angeles

2009

  • Second Nature: Dean Valentine Collection, Hammer Museum, Los Angeles
  • 1999, China Art Objects, Los Angeles

2008

  • The Light of the Virgo, China Art Objects, Los Angeles
  • Los Angeles Confidential, Centre d'Art du Parc Saint Léger, Pougues-les-Eaux, France
  • Amateurs, CCA Wattis Institute for Contemporary Arts, San Francisco
  • ITALIA ITALIE ITALIEN ITALY WLOCHY, ARCOS Museo d’Arte,Benevento,Italy
  • Globetrotters, 410 Cottage Home, Los Angeles, Curated by Katie Brennan
  • Sand- Meaning and Metaphor, Parrish Museum, New York, NY

2007

  • Prague Biennial, Prague, Czech Republic
  • Milieu, Lizabeth Oliveria, Los Angeles
  • Angles Gallery, Los Angeles
  • One Foot High and Rising, Balmoral Gallery, Venice, CA
  • Darling, Take Fountain, Kalfayan Gallery, Greece
  • Substance & Surface, Bortolami, New York

2006

  • Axis of Praxis, Midway Contemporary Art, Minneapolis, MN
  • Design-O-mite, Black Dragon Society, Los Angeles
  • Alien Nation, Institute of Contemporary Art, London, England
  • The Gold Standard, P.S. 1 Contemporary Art Center, Long Island City, NY
  • Survivor, Bortolami Dayan, New York

2005

  • Closing Down: Thanks, Bortolami Dayan, New York
  • A Walk to Remember, Organized by Jens Hoffmann, Los Angeles Contemporary Exhibitions, Los Angeles, CA
  • 100 Artists See God, Curated by John Baldessari and Meg Cranston, Organized by ICA, London, England
  • Installations, I-20 Gallery, New York, NY
  • Having Differences. I-20 Gallery, New York, NY

2004

  • Whitney Biennial, Whitney Museum of American Art, New York
  • 3 Fireplaces and 2 Bathtubs, Museum für Angewandte Kunst (MAK), Vienna, Austria

2003

  • Fade (1990–2003), Curated by Malik Gaines, Craft and Folk Art Museum at the Luckman Gallery, Los Angeles, CA
  • Works for Giovanni, China Art Objects Galleries, Los Angeles, CA
  • More Boots = Many Routes, Eric Wesley, Lee O’Connor, Ryan Doolan, Transmission Gallery, Glasgow, Scotland
  • New Space! New Show!, Galeria Franco Noero, Turin, Italy
  • Adios Pendejos, OPA: Oficina Para Proyectos de Arte, Guadalajara, Mexico
  • Eduardo Sarabia and Eric Wesley, Sutton Lane, London
  • Adios Pendejos, OPA: Oficina Para Proyectos de Arte, Guadalajara, Mexico

2002

  • Drive By: Nine Artists from Los Angeles, Reynolds Gallery, Virginia

2001

  • Freestyle, Studio Museum, Harlem, New York, Santa Monica Museum of Art
  • Snapshot: New Art From Los Angeles, UCLA Hammer Museum, Los Angeles
  • Museum of Contemporary Art, Miami, Florida
  • Purloined, Artists Space, New York, September 6 - October 13
  • Circles 3: Silver Lake Crossings, Zentrum Fur Kunst und Mediatechnologie, Karlsruhe, Germany. Curated by Christoph Keller.
  • Drive: Power, Progress, Desire, Govett Brewster Art Gallery, New Plymouth, New Zealand. Curated by Gregory Burke.
  • Group Show, Metro Pictures, New York

2000

  • Young and Dumb, ACME, Los Angeles, Curated by Pentti Monkkonen.

1999

  • L.A. Edge Festival, Los Angeles, organized by Simon Watson.

1998

  • I-Candy, Rosamund Felsen Gallery, Santa Monica
  • Brent Petersen Gallery, Los Angeles.

Selected bibliography

[mali niŋ | mali mi di yibu sheena n-niŋ]
  • Vitamin 3-D: New Perspectives in Sculpture, Phaidon (2009)
  • Schimmel, Paul, “Future Greats,” Art Review, March 2008 p. 87. (2008)
  • Burton, Johanna, “Eric Wesley,” ArtForum, March 2008 p. 362. (2008)
  • Bovino, Emily Verla, “Eric Wesley,” Frieze online, Oct. 27. (2007)
  • Campagnola, Sonia, “Eric Wesley: Let’s Do A Trade,” Flash Art, No. 253, March. (2007)
  • Knight, Christopher, “Living Friskily Is Best Revenge,” Los Angeles Times, Aug. 3. (2007)
  • Robinson, Walter, “HAMMER Museum Gets Dean Valentine Art,” Artnet.com. (2007)
  • Haithman, Diane, “$1 Million New Year's Gift to the Hammer,” Los Angeles Times, Jan.5. (2007)
  • Sholis, Brian, “Show Business,” artforum.com. (2007)
  • Rochette, Anne and Wade Saunders, “Place Matters: Los Angeles,” Art in America, November. (2006)
  • Knight, Christopher, “After a Bold Takeover a Weak Message Is Sent,” Los Angeles Times, April 21. (2006)
  • Butler, Cornelia, “Thesis Show,” MOCA Focus: Eric Wesley Catalogue, March. (2006)
  • Rogers, Mike, “Eric Wesley,” ArtUS. (2006)
  • Romeo, Fillippo, “Critic’s Pick: Eric Wesley,” artforum.com. (2006)
  • Gair Boase, Ben Davis, Melissa Dunn, Morgan Falconer, Melissa Gronlund, Ana Finel Honigman, Jane Neal, Bill (2005)
  • Roberts, Lauren Stakis, “Future Greats 2005”, ArtReview, December. (2005)
  • Stark, Frances, “On the Ground: Los Angeles,” ArtForum. (2005)
  • Wang, Michael, “Pop Shop,” artforum.com. (2005)
  • Harvey, Doug, “State of the Art ’05,” LA Weekly. (2005)
  • Kim, Christine Y., “Color Blind,” V Magazine, #22 April. (2003)
  • Ammiratti, Dominick, “Critic’s Pick: Eric Wesley,” artforum.com. (2003)
  • Myers, Julian, “Just for Kicks,” Frieze, Issue 72, December. (2002)
  • Von Schlegell, Mark, “Review: Snapshot: New Art from Los Angeles,” Artext No. 75, November 2001 – January 2002. (2002)
  • Gaines, Malik, “Eric Wesley to the Bone,” Artext No. 75, November. (2001)
  • Tumlir, Jan, "Snapshot - LA Exhibit of Work of 25 Artists,” ArtForum, October. (2001)
  • Knight, Christopher, “Cultural Evolution in Freestyle”, Los Angeles Times, October 2. (2001)
  • Schjeldahl, Peter, “Breaking Away; A Flowering of Young African American Artists,” The New Yorker, June 11. (2001)
  • Knight, Christopher, “A Snapshot of L.A. Artists,” Los Angeles Times, June 6. (2001)
  • Saltz, Jerry, “Post-Black; Radical Intelligence at the Studio Museum in Harlem”, Village Voice, May 22. (2001)
  • Plagens, Peter, “Harlem Goes 'Freestyle',” NEWSWEEK, May. (2001)
  • Cotter, Holland, “A Full Studio Museum Show Starts With 28 Artists and a Shoehorn,” New York Times, May 11. (2001)
  • Dailey, Meghan, “Preview: Freestyle,” artforum.com. (2001)
  • Intra, Giovanni, “Too Autopoeitic to Drive,” Drive catalogue, Govett Brewster Art Gallery, New Zealand. (2000)
  1. ↑ Eric Wesley — BORTOLAMI.[permanent dead link]
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