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Alison Saar

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Alison Saar
ninsala
Paɣa bee dooPaɣa Mali niŋ
O ya TiŋgbaŋHaiti, America Mali niŋ
YumaŋliAlison Mali niŋ
Daŋ yuliSaar Mali niŋ
Doɣam dabsili5 Silimin gɔli February 1956 Mali niŋ
Dɔɣim TiŋaLos Angeles Mali niŋ
BaRichard Saar Mali niŋ
MaBetye Saar Mali niŋ
TizoLezley Saar Mali niŋ
Bala yɛlibu, sabbu bee buɣisibuHaitian Creole, Silmiinsili Mali niŋ
Tum' baŋsimart of sculpture Mali niŋ
Zaa sheeartist-in-residence Mali niŋ
Shikuru shɛli o ni chaŋScripps College, Otis College of Art and Design Mali niŋ
Shikuru bila zaŋ tiSamella Lewis Mali niŋ
Tuma sheeLos Angeles Mali niŋ
BalliAfrican Americans Mali niŋ
Notable workcopacetic / Hear the Lone Whistle Moan Mali niŋ
Laɣingucontemporary art Mali niŋ
Nuu tuunbaŋsim balibufigurative art Mali niŋ
Pin' shɛŋa o ni deeGuggenheim Fellowship, Anonymous Was A Woman Award, New York Foundation for the Arts Mali niŋ
Zani ti n-nyɛPhyllis Kind Gallery Mali niŋ
Copyright status as a creatorworks protected by copyrights Mali niŋ
Artist files atSmithsonian American Art and Portrait Gallery Library, Schomburg Center for Research in Black Culture Mali niŋ

Alison Saar (bɛ daa dɔɣi o la Silimiin goli February dabaa anu dali yuuni 1956) nyɛla Los Angeles nuchee ni baŋda. O nuchee ni baŋsim tuma nyɛla din jɛndi African diasporamini gbansabila ban nyɛ paɣaba.[1]

Piligu biɛhigu mini shikuru baŋsim

[mali niŋ | mali mi di yibu sheena n-niŋ]
Betye Saar, Alison's mother.

Saar nyɛla bɛ ni daa dɔɣi so Los Angeles, California ka o lammba nyɛ African-American nuchee ni baŋda Betye Saar mini Richard Saar.[2]

[3]Tɛmplet:Better source needed

Museum of Fine Arts, Houston TX
  • Shepherd, Elizabeth. Secrets, Dialogues, Revelations: The Art of Betye and Alison Saar. Los Angeles, CA: Wight Art Gallery, University of California, 1990.
  • Wilson, Judith. "Down to the Crossroads: The Art of Alison Saar." In Callaloo 14 no 1 (Winter 1991): 107–123.
  • Krane, Susan. Art at the Edge, Alison Saar: Fertile Ground, Atlanta, GA: High Museum of Art, 1993.
  • Nooter Roberts, Mary, and Alison Saar. Body Politics:The Female Image in Luba Art and the Sculpture of Alison Saar. UCLA Fowler Museum of Cultural History, 2000.
  • McGee, Julie L. "Field, Boll, and Monument: Toward an Iconography of Cotton in African American Art." In International Review of African American Art 19 no. 1 (2003): 37–48.
  • Lewis, Samella S. African American Art and Artists, revised and expanded 3rd ed., Berkeley: University of California Press, 2003.
  • Farrington, Lisa E. "Reinventing Herself: The Black Female Nude." In Woman's Art Journal 24 no. 2 (Autumn 2003–Winter 2004): 15–23.
  • Dallow, Jessica. "Reclaiming Histories: Betye and Alison Saar, Feminism, and the Representation of Black Womanhood." Feminist Studies 30 no. 1 (2004): 75–113.
  • Dallow, Jessica. Family Legacies: The Art of Betye, Lezley, and Alison Saar. Chapel Hill: Ackland Art Museum, the University of North Carolina at Chapel Hill in association with University of Washington Press, 2005.
  • Jones, Leisha. "Women and Abjection: Margins of Difference, Bodies of Art." Visual Culture & Gender 2 (2007): 62–71.
  • Linton, Meg. Alison Saar: STILL .... Los Angeles, CA: Otis College of Art and Design, Ben Maltz Gallery, 2012.
  • Dallow, Jessica. "Departures and Returns: Figuring the Mother's Body in the Art of Betye and Alison Saar." Reconciling Art and Mothering, edited by Rachel Epp Buller. Ashgate Publishing Company, 2012.


  1. ↑ (2004) "Reclaiming Histories: Betye and Alison Saar, Feminism, and the Representation of Black Womanhood". Feminist Studies 30 (1): 74–113.
  2. ↑ Clark, Erin. "Alison Saar." Artworks Winter (2008): 33-40. Print.
  3. ↑ Alison Saar Biography – Alison Saar on artnet.
  4. 1 2 Alison Saar | Biography.
  5. 1 2 3 Alison Saar | Selected works by exhibition.
  6. ↑ United States Artists.
  7. ↑ Alison Saar (en).
  8. ↑ Nappy Head Blues (en).
  9. ↑ Works | Alison Saar | People | The MFAH Collections.
  10. ↑ Brooklyn Museum.
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