Toyin Ojih Odutola
| Toyin Ojih Odutola | |
|---|---|
| Tuma |
Toyin Ojih Odutola (bɛ dɔɣi o la 1985) ka o nyɛ Nigerian-American paɣa ŋun nyɛ nuuni tuunbaŋda ka bɔmdi niŋdi takari gbana ni.[1] O tumanima nyɛla din ʒiri haŋkali zilinli.[2] Ojih Odutola's tumanima shɛŋa lahi nyɛla din niŋdi vihigu ni binkura.[3]
Exhibitions
[mali niŋ | mali mi di yibu sheena n-niŋ]Tuun gahinda:
- 2008: A Colonized Mind, University Center Gallery, University of Alabama in Huntsville, Alabama, thesis solo exhibition.[4]
- 2011: (MAPS), Jack Shainman Gallery, New York, which marked her first solo exhibition at the gallery and in New York City.[5]
- 2013: My Country Has No Name, Jack Shainman Gallery, New York, which dealt with themes on the malleability and suspicion regarding identity and how a portrait can only be a fragmented oversimplification of a person.[6]
- 2013—2014: The Constant Wrestler, Indianapolis Museum of Contemporary Art (iMOCA), Indianapolis, Indiana. The exhibition was later profiled by Julie Bramowitz for Interview Magazine, published December 3, 2013.[7]
- 2014: Like the Sea, Jack Shainman Gallery, New York. The exhibition title is inspired by an aphorism from Zora Neale Hurston's novel, Their Eyes Were Watching God, where Hurston writes, "Love is lak de sea. It's uh movin' thing, but still and all, it takes its shape from de shore it meets, and it's different with every shore."[8]
- 2015: Untold Stories, Contemporary Art Museum St. Louis, Missouri.[9]
- 2015—2016: Of Context and Without, Jack Shainman Gallery, New York. The exhibition was profiled by Emily McDermott for Interview Magazine on December 20, 2015.[10]
- 2016—2017: A Matter of Fact, Museum of the African Diaspora (MoAD), San Francisco, California.[11] The architect, David Adjaye, named the exhibition as one of the "Best of 2016" in the December issue of Artforum International Magazine.[12]
- 2017—2018: To Wander Determined, Whitney Museum of American Art.[13] The exhibition was profiled by Zadie Smith for British Vogue in the June 2018 issue.[14]
- 2018: Testing the Name, Savannah College of Art and Design's (SCAD) Museum of Art, Savannah, Georgia, which was included in the SCAD de:FINE exhibition series for that season.[15]
- 2018: participated in the 12th Manifesta Biennial, hosted in Palermo, Italy, with her solo exhibition, Scenes of Exchange, held at the Orto Botanico di Palermo.[16]
- 2018: The Firmament, Hood Museum of Art, of Dartmouth College, Hanover, New Hampshire.[17]
- 2018: When Legends Die, Jack Shainman Gallery, New York.[18]
- 2020: A Countervailing Theory, Barbican Centre, in London, England, her first solo museum exhibition in the UK.[19]
- 2020: Tell Me A Story, I Don't Care If It's True, Jack Shainman Gallery, New York, investigating fundamental misconceptions and "gaps in understanding"[20] between image and text. All works in the show were created during COVID-19 lockdown in New York.[21]
Ojih Odutola has also participated in group exhibitions at various institutions, including:
- Future Generation Art Prize @ Venice 2019, Part of the 58th Venice Biennale (2019).[22]
- Show Me as I Want to Be Seen, at the Contemporary Jewish Museum, San Francisco, (2019).[23]
- For Opacity: Elijah Burgher, Toyin Ojih Odutola, and Nathaniel Mary Quinn, at The Drawing Center, New York, (2018).[23]
- Histórias Afro-Atlânticas (Afro-Atlantic Stories), at São Paulo Museum of Art, São Paulo, Brazil, (2018).[23]
- Disguise: Masks and Global African Art, at Brooklyn Museum, New York, (2016).[23]
- FORE and Black: Color, Material, Concept, at Studio Museum in Harlem, New York, (2015, 2012, respectively).[23]
- Ballpoint Pen Drawing Since 1950, at Aldrich Contemporary Art Museum, Ridgefield, (2013).[23]
- The Progress of Love, at the Menil Collection, Houston, (2012).[23]
- Afro: Black Identity in America and Brazil, Tamarind Institute, University of New Mexico, Albuquerque, (2012).[24]
Collections
[mali niŋ | mali mi di yibu sheena n-niŋ]Ojih Odutola's tumanima nyɛla din be luɣa pam:
- Museum of Modern Art, New York[25]
- Whitney Museum of American Art, New York[26]
- The Metropolitan Museum of Art, New York[27]
- Birmingham Museum of Art, AL[23]
- Baltimore Museum of Art, Maryland[23]
- Frye Art Museum, Seattle, Washington[28]
- Hood Museum of Art, Dartmouth College, New Hampshire[23]
- Institute of Contemporary Art, Boston, Massachusetts[29]
- Mississippi Museum of Art, Mississippi[23]
- Museum of Contemporary Art San Diego[30]
- National Portrait Gallery, London, United Kingdom[31]
- New Orleans Museum of Art, Louisiana[23]
- Pennsylvania Academy of the Fine Arts, Philadelphia, Pennsylvania[32]
- Philadelphia Museum of Art, Pennsylvania[23]
- Princeton University Art Museum, New Jersey[23]
- RISD Museum of Art, Providence, Rhode Island[33]
- Society for Contemporary Art, Art Institute of Chicago, Illinois[34]
- Spencer Museum of Art, Kansas[23]
- Honolulu Museum of Art Spalding House, Hawaii[23]
- National Museum of African Art, Smithsonian Institution, Washington, D.C.[23]
Pina
[mali niŋ | mali mi di yibu sheena n-niŋ]- 2007: Ellen Battell Stoeckel Fellowship Grant, Yale University.
- 2008: Erzulie Veasey Johnson Painting & Drawing Award, University of Alabama in Huntsville.
- 2011: Murphy and Cadogan Fellowship Award, The San Francisco Foundation.
- 2017: Lida A. Orzeck Distinguished Artist-in-Residence, Barnard College.[35]
- 2018: Rees Visionary Award, Amref Health Africa.[36]
- 2019: Shortlisted for the Victor Pinchuk Foundation's Future Generation Art Prize.[37]
- 2020: Lauréate of the Prix Jean-François Prat, The Bredin Prat Foundation for Contemporary Art.[38]
- 2022: Great Immigrants Award, Carnegie Corporation of New York.[39][40]
Publications
[mali niŋ | mali mi di yibu sheena n-niŋ]- Alphabet: A Selected Index of Anecdotes and Drawings, 2012.[41]
- The Treatment, 2015—17, Anteism Books, 2018.[42]
- For Opacity: Elijah Burgher, Toyin Ojih Odutola, and Nathaniel Mary, The Drawing Center, Exhibition catalogue, 2018.[43]
- Toyin Ojih Odutola: A Matter of Fact, Museum of the African Diaspora, Exhibition catalogue, 2019.[44]
- A Countervailing Theory, Barbican Centre, Exhibition catalog, 2020.[45]
Kundivihira
[mali niŋ | mali mi di yibu sheena n-niŋ]- ↑ Morse, Trent (2014-01-08). Making Cutting-Edge Art with Ballpoint Pens (en-US).
- ↑ Sydney Gove (2017-02-26). "Toyin Ojih Odutola Uses Art To Challenge Invented Constructs Of The Self" (en). NYLON. https://www.nylon.com/articles/toyin-ojih-odutola-interview.
- ↑ Fallon, Claire (2015-12-09). "Stunning Ballpoint Imagery Explores Blackness And The Power Of Ink" (en-US). Huffington Post. http://www.huffingtonpost.com/entry/toyin-ojih-odutola-portraits_us_5666e090e4b079b2818ff529.
- ↑ Toyin Ojih Odutola Biography. Retrieved 9 July 2020.
- ↑ Toyin Ojih Odutola: (MAPS) (en).
- ↑ Toyin Ojih Odutola: My Country Has No Name (en).
- ↑ Interview Magazine: Toyin Odutola and the Public Struggle (2013-12-03).
- ↑ Toyin Ojih Odutola: Like the Sea (en).
- ↑ Toyin Ojih Odutola: Untold Stories (en) (2018-01-26).
- ↑ Interview Magazine: Traveling with Toyin Ojih Odutola (2015-12-20).
- ↑ Toyin Ojih Odutola: A Matter of Fact.
- ↑ Leigh Raiford Reviews: Toyin Ojih Odutola, Museum of the African Diaspora (April 2017).
- ↑ Toyin Ojih Odutola:To Wander Determined, Whitney Museum of American Art (en).
- ↑ Zadie Smith On Toyin Ojih Odutola's Artwork (en) (13 July 2018).
- ↑ Toyin Ojih Odutola exhibition: 'Testing the Name' (en).
- ↑ Manifesta 12: Palermo (en) (2018-06-15).
- ↑ Toyin Ojih Odutola, Hood Museum (en) (27 September 2018).
- ↑ Toyin Ojih Odutola: When Legends Die (en).
- ↑ Toyin Ojih Odutola: A Countervailing Theory | Barbican (en).
- ↑ Toyin Ojih Odutola at Jack Shainman Gallery (en-US).
- ↑ Jacqui Palumbo. 'Skin is a terrain': Nigerian-American artist Toyin Ojih Odutola on drawing intricate portraits of black life (en).
- ↑ FUTURE GENERATION ART PRIZE @ VENICE 2019 - Exhibitions – PinchukArtCentre.
- 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 AllContent. Retrieved 30 October 2017.
- ↑ AFRO: BLACK IDENTITY IN AMERICA AND BRAZIL | Tamarind Institute (en-US).
- ↑ Toyin Ojih Odutola | MoMA (en).
- ↑ Toyin Ojih Odutola (en).
- ↑ Unclaimed Estates, 2017, Toyin Ojih Odutola.
- ↑ Recent Acquisitions: Toyin Ojih Odutola (en-US).
- ↑ Heir Apparent | icaboston.org.
- ↑ MUSEUM OF CONTEMPORARY ART SAN DIEGO ANNOUNCES NEW EXHIBITIONS (en) (2019-05-09).
- ↑ Toyin Ojih Odutola - National Portrait Gallery (en).
- ↑ Toyin Ojih Odutola, "Carried Beauty" (2018) (en-US) (2019-02-05).
- ↑ Last Portrait of the 18th Marquess | RISD Museum.
- ↑ The Treatment 7 | Society for Contemporary Art (en).
- ↑ Visual Artist Toyin Ojih Odutola to Join Barnard College as Orzeck Artist-in-Residence (en).
- ↑ Gallery Gurls (en-US).
- ↑ Future Generation Art Prize 2019.
- ↑ Artistes (fr-FR).
- ↑ Toyin Ojih Odutola.
- ↑ Candid. Carnegie Corporation names 2022 cohort of distinguished immigrants (en).
- ↑ Toyin Ojih Odutola: Alphabet: A selected Index of Anecdotes and Drawings.
- ↑ Toyin Ojih Odutola: The Treatment, 2015-17.
- ↑ For Opacity: Elijah Burgher, Toyin Ojih Odutola, and Nathaniel Mary Quinn.
- ↑ Toyin Ojih Odutola: A Matter of Fact. 2019-02-05. ISBN 978-1944903688.
- ↑ Toyin Ojih Odutola Catalogue.
Further reading
[mali niŋ | mali mi di yibu sheena n-niŋ]- (10 November 2016) "Toyin Ojih Odutola's Art Practice as a Technology of the Skin". Catalyst: Feminism, Theory, Technoscience 2 (2): 1–21. DOI:10.28968/cftt.v2i2.28807.
- (June 2019) "Connecting Spirits". International Review of African American Art 29.
- (1 March 2019) "Resisting the Singular Narrative". Cultural Politics 15 (1): 65–71. DOI:10.1215/17432197-7289500.
- Knowles, Laura (October 12, 2014). "Human form explored in Mosaic Project at Pennsylvania College of Art & Design". LancasterOnline. https://lancasteronline.com/features/entertainment/human-form-explored-in-mosaic-project-at-pennsylvania-college-of/article_76a458c2-4e86-11e4-a952-001a4bcf6878.html.
- Solange Knowles and Toyin Ojih Odutola Talk Sound, Art, and Architecture. Cultural Magazine (2018-02-19).
- Kazanjian, Dodie (July 17, 2018). "Reimagining Black Experience in the Radical Drawings of Toyin Ojih Odutola". Vogue. https://www.vogue.com/article/toyin-ojih-odutola-interview-vogue-august-2018.
- Artist Toyin Ojih Odutola Is Reimagining the History of Nigerian Slaves as Royals. W Magazine. Retrieved September 7, 2018.
- Ah-Sue, Gerladine, Raw Material: A Podcast from SFMoMA, Episode 4: The Mind, Season 2: Manifest, (2017)
- Smalls, Lola, “Toyin Odutola”, Greedmont Park Magazine, No.4 (Fall 2011). New York, NY.[verification needed]
- "Museum and Gallery Listings for June 17–23". The New York Times. 16 June 2011. https://www.nytimes.com/2011/06/17/arts/design/museum-and-gallery-listings-for-june-17-23.html.
- "Toyin Odutola". Vogue.it. https://www.vogue.it/en/vogue-black/the-black-blog/2011/06/toyin-odutola.
- Chtena, Natascha, “Interview with artist Toyin Odutola”, Think Africa Press, 30 May 2011.[verification needed]
External links
[mali niŋ | mali mi di yibu sheena n-niŋ]| Toyin Ojih Odutola at Wikipedia's sister projects | |
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- 1985 births
- Living people
- Nigerian women painters
- 21st-century Nigerian artists
- Yoruba women artists
- Yoruba artists
- People from Ife
- Women printmakers
- Nigerian expatriates in the United States
- 21st-century Nigerian painters
- Nigerian printmakers
- University of Alabama in Huntsville alumni
- California College of the Arts alumni
- Igbo artists
- Ballpoint pen art
- American artists of Nigerian descent
- 21st-century women painters
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