Otobong Nkanga

Otobong Nkanga (bɛ dɔɣi o la yuuni 1974) o nyɛla bɛ ni dɔɣi so Nigeria, ka o tumdi nucheeni tuma nim kamani durɔɔyibu, yila yilibu, ka o yaa zaa be tingban yuli booni Antwerp, Belgium. Yuuni 2015 ni, o daa dila kpaŋmaŋ pini shɛli din yuli booni Yanghyun Prize.^[1]^[2]^[3]

O pilli mini shikuru chandi

Otobong Nkanga nyɛla bɛ ni daa dɔɣi so fɔŋ yuli booni Kano, n be Nigeria, yuuni 1974 puuni amaa ka o bilim ni zaa o daa nyɛ ŋun be Lagos tingban ni. O daa ŋuli malila zaɣa ni nucheeni tuma bɔhimbu tum o bilim ni.

Exhibitions

2010: Taste of a Stone. Ikǫ, Charlottenborg Copenhagen
2012: Contained Measures of Shifting States. Tate Modern^[4]
2015: Biennale d'art contemporain de Lyon
2016: The Encounter That Took a Part of Me. Nottingham Contemporary^[5]
2017: documenta 14, Athens and Kassel
2018: To Dig A Hole That Collapses Again, Museum of Contemporary Art, Chicago^[6]^[7]^[8]
2019: From Where I Stand, Tate St. Ives^[9]
2020: There's No Such Thing as Solid Ground, Gropius Bau^[10]
2021: Of Cords Curling Into Mountains, Castello di Rivoli^[11]
2022: Underneath the Shade We Lay Grounded, Sint-Janshospitaal Brugge^[12]
2024: Cadence, MOMA New York

Kundivihira

↑ Woo-young, Lee (12 November 2015). Nigerian artist Otobong Nkanga wins Yanghyun art prize (en). The Korea Herald.
↑ Okakwu (13 November 2015). Nigerian artist emerges first African winner of Korean award. Premium Times.
↑ 20th Biennale of Sydney, Carriageworks. The Guardian (14 January 2016).
↑ Bosah, Chukwuemeka (2017). The Art of Nigerian Women (in English). Okediji, Moyosore B. (Moyosore Benjamin). New Albany, Ohio: Ben Bosah Books. p. 50. ISBN 978-0-9969084-5-0. OCLC 965603634.
↑ The Encounter That Took a Part of Me | Otobong Nkanga (EN) (2016).
↑ Samudzi, Zoé (January–February 2021). "The Paradox of Plenty". Art in America 109 (1): 18–20.
↑ Foumberg, Jason (2 August 2018). Otobong Nkanga’s To Dig a Hole That Collapses Again (en).
↑ Whitehead, Anna Martine (26 March 2018). Otobong Nkanga: To Dig a Hole That Collapses Again (en).
↑ Otobong Nkanga (en-GB) (2019).
↑ Otobong Nkanga: There's No Such Thing as Solid Ground (2020).
↑ Otobong Nkanga. Of Cords Curling around Mountains (en) (2021).
↑ Underneath the Shade We Lay Grounded. Otobong Nkanga (en) (2022).

External links

Official website.

[1] Woo-young, Lee (12 November 2015). Nigerian artist Otobong Nkanga wins Yanghyun art prize (en). The Korea Herald.

[2] Okakwu (13 November 2015). Nigerian artist emerges first African winner of Korean award. Premium Times.

[3] 20th Biennale of Sydney, Carriageworks. The Guardian (14 January 2016).

[4] Bosah, Chukwuemeka (2017). The Art of Nigerian Women (in English). Okediji, Moyosore B. (Moyosore Benjamin). New Albany, Ohio: Ben Bosah Books. p. 50. ISBN 978-0-9969084-5-0. OCLC 965603634.

[5] The Encounter That Took a Part of Me | Otobong Nkanga (EN) (2016).

[:3-6] Samudzi, Zoé (January–February 2021). "The Paradox of Plenty". Art in America 109 (1): 18–20.

[7] Foumberg, Jason (2 August 2018). Otobong Nkanga’s To Dig a Hole That Collapses Again (en).

[8] Whitehead, Anna Martine (26 March 2018). Otobong Nkanga: To Dig a Hole That Collapses Again (en).

[9] Otobong Nkanga (en-GB) (2019).

[10] Otobong Nkanga: There's No Such Thing as Solid Ground (2020).

[11] Otobong Nkanga. Of Cords Curling around Mountains (en) (2021).

[12] Underneath the Shade We Lay Grounded. Otobong Nkanga (en) (2022).

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