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George Stubbs

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George Stubbs
ninsala
Paɣa bee dooDoo Mali niŋ
O ya TiŋgbaŋUnited Kingdom of Great Britain and Ireland, United Kingdom Mali niŋ
YumaŋliGeorge Mali niŋ
Daŋ yuliStubbs Mali niŋ
Doɣam dabsili24 Silimin gɔli August 1724 Mali niŋ
Dɔɣim TiŋaLiverpool Mali niŋ
Kpibu dabisili10 Silimin gɔli July 1806 Mali niŋ
Kpibu sheeLondon Mali niŋ
Bala yɛlibu, sabbu bee buɣisibuSilmiinsili Mali niŋ
Tuma sheeRome, Leeds, London, Wigan, York Mali niŋ
Notable workWhistlejacket, A Lion Attacking a Horse Mali niŋ
LaɣinguRomanticism Mali niŋ
Nira zaŋtiRoyal Academy of Arts Mali niŋ
Nuu tuunbaŋsim balibugenre painting, history painting, landscape painting, portrait, animal painting Mali niŋ
Depicted byGeorge Stubbs Mali niŋ
Copyright status as a creatorcopyrights on works have expired Mali niŋ
Artist files atFrick Art Research Library Mali niŋ

George Stubbs ARA (25 August 1724 – 10 July 1806), o daa nyɛla England peenta-peenta ŋun peentiri yuri. O nyɛla ŋun daa lihi ban daa pun be lala tumanima ŋɔ tumbu ni 18th century kamani Reynolds mini Gainsborough, ka daa bɔhim li o toli. Stubbs peentiri la mɔɣini binyɛra kamani yuri, bahi ni gbuɣima. O daa yoli peenti shɛli ka gbuɣinli gbaari wahu ka naan yi che o tumanima din daa yina 18th century bahigu. O peentibu din nyɛ Whistlejacket yilila National Gallery, London.

The Milbanke and Melbourne Families (ca. 1769), oil on canvas, 97 x 149 cm., National Gallery

Stubbs nyɛla bɛ ni daa dɔɣi so Liverpool, o ba n daa nyɛ John Stubbs, ka o ma nyɛ Mary.[1]

Lion Seizing a Horse, restored Roman copy of Hellenistic original, Palazzo dei Conservatori

O tumanima puuni shɛŋa

[mali niŋ | mali mi di yibu sheena n-niŋ]
Self-Portrait (ca. 1759) oil on copper, 14 x 10.8 cm., Yale Center for British Art
Sir John Nelthorpe, 6th Baronet (ca. 1765-75), oil on canvas, 127 x 101.5 cm. private collection
Richard Wedgewood (ca. 1765-75), oil on canvas, Wedgewood Museum
The Fall of Phaëton (1777), oil on canvas, 96.5 x 122 cm., National Trust
In the Yale Center for British Art
  • Self-Portrait (1759)
  • The Countess of Coningsby in the Costume of the Charlton Hunt (c. 1760)
  • Lustre, held by a Groom (c. 1762)
  • Newmarket Heath, with the King's stables rubbing house at the finish of the Beacon Course (c. 1765)
  • Turf, with Jockey up, at Newmarket (c. 1766)
  • A Lion Attacking a Horse (1762)
  • Two Gentlemen Going a Shooting, with a View of Creswell Crags, Taken on the Spot (c. 1767)
  • Two Gentlemen Going a Shooting (c. 1768)
  • Two Gentlemen Shooting (c. 1769)
  • A Repose after Shooting (1770)
  • Zebra (exhibited 1763)
  • Pumpkin with a Stable-lad (c. 1774)
  • Sleeping Leopard (1777)
  • Brown and White Norfolk or Water Spanield (c. 1778)
  • Greenland Falcon (c. 1780)
  • Phaeton with a Pair of Cream Ponies and a Stable-Lad (between 1780–1784)
  • Labourers (1781)
  • Bulls Fighting (c. 1786)
  • The Farmer's Wife and the Raven (1786)
  • Reapers (1795)
  • Freeman, the Earl of Clarendon's gamekeeper, with a dying doe and hound (1800)
  • A Comparative Anatomical Exposition of the Human Body with that of a Tiger and a Common Fowl (1795–1806)

In the Tate Gallery

  • A Grey Hunter with Groom and a Greyhound at Creswell Crags (c.1762)
  • Horse Devoured by a Lion (exhibited 1763)
  • Horse Frightened by a Lion (exhibited 1763)
  • Mares and Foals in a River Landscape (c.1763‑1768)
  • Newmarket Heath, with a Rubbing-Down House (c.1765)
  • Otho, with John Larkin up (1768)
  • Horse Attacked by a Lion (1769)
  • Mother and Child (1774)
  • Horse in the Shade of a Wood (1780)
  • Leopards at Play (1780)
  • Portrait of a Young Gentleman Out Shooting (1781)
  • Haymakers (1785)
  • Reapers (1785)
  • Bay Hunter by a Lake (1787)
  • A Foxhound published (1788)
  • A Foxhound Viewed from Behind published (1788)
  • A Horse Attacked by a Lion (A Lion Devouring a Horse) (published 1788)
  • A Lion Resting on a Rock published (1788)
In the Royal Collection
  • "Pumpkin" with William South Up (c.1770)
  • Sir Sidney Medows (1778)
  • John Christian Santhague (1782)
  • A Rough Dog (1790)
  • A Bay Horse with a Groom (1791)
  • John Gascoigne with a Bay Horse (1791)
  • Portrait of a Gentleman (1791)
  • Fino and Tiny (1791)
  • Baronet with Samuel Chifney (1791)
  • A Red Deer, a Buck and a Doe (1792)
  • Soldiers of the 10th Light Dragoons (1793)
  • William Anderson with two Saddle-Horses (1793)
  • A Grey Horse (1793)
  • A Grey Horse (1793)
  • Laetitia, Lady Lade (1793)
  • The Prince of Wales's Phaeton (1793)
In the National Museums Liverpool
  • A Lion and Tiger (1779)
  • A Monkey (1799)
  • 'Gnawpost' and Two Other Colts (c.1793)
  • Haycarting (1795)
  • Haymakers (1794)
  • Horse and Lioness (1775–1800)
  • Horse Frightened by a Lion
  • James Stanley (1755)
  • 'Molly Long-Legs' with Her Jockey
  • Self Portrait on a White Hunter (1782)
  • The Farmer's Wife and the Raven (1782)
In the National Gallery, London
  • Whistlejacket (1762)
  • A Gentleman driving a Lady in a Phaeton (1787)
  • The Milbanke and Melbourne Families (c.1769)
In the National Maritime Museum, Greenwich
Hunterian Museum and Art Gallery, University of Glasgow
  • The Moose (1770)
  • The Nilgai (1769)
  • A Blackbuck (1770–1780)
Hunterian Museum (London)
  • The Yak of Tartary (1791)
  • Rhinoceros (1790–1792)
  • Drill and Albino Baboon (before 1789)
British Sporting Art Trust
  • A Pointer (a pair)
  • A Spaniel (a pair)
  • Lord Clanbrassil with Hunter Mowbrary (1769)
  • Fighting Stallions (1791)
National Trust
National Gallery of Art, Washington
Victoria and Albert Museum
  1. Egerton, Judy (2007). George Stubbs, Painter: Catalogue raisonné. New Haven, Conn.: Yale University Press. ISBN 9780300125092. p. 10.