Yiɣi chaŋ yɛligu maŋamaŋa puuni

Diane Victor

Diyila Dagbani Wikipedia

Diane Victor, ( bɛ dɔɣɔ la yuuni 1964, tiŋyuli booni Witbank, n be South Africa) o nyɛla ŋun nyɛ South Africa nucheeni tuun tumdi mini binyɛra pɛreentibu masa.

Victor nyɛla bɛ ni dɔɣi so tiŋyuli booni Witbank, be South Africa tingban ni. O daa nyɛla ŋun deegi o shɛhira gbaŋ din nyɛ BA Fine Arts degree shikuru yuli booni University of the Witwatersrand n be Johannesburg yuuni 1986.

Binshɛɣu din gbaagi yuuni 1990 hali na ni zɔŋɔ, Victor nyɛla ŋun na min wuhi shikuru ti pam dɔrɔɔyibu mini pɛreentibu, shikuru ti kamani ; University of Pretoria, Wits Technikon, Pretoria Technikon, Open Window Academy, Vaal Triangle Technikon, ni University of Witwatersrand, Rhodes University n ti pahi University of Johannesburg.

O konko exhibition nima

[mali niŋ | mali mi di yibu sheena n-niŋ]
  • Yuuni 2024 "La Charge at Museum of Angoulème, France
  • Yuuni 2024 "Suie et Cendres at LAAC museum, Dunkirk, France
  • Yuuni 2024 "Les Raisons de la Colère at Museum of Drawing and Original Print, Gravelines, France
  • Yuuni 2023 "Diane Victor 'Prints Drawings Smoke' at Spier Arts Trust, Cape Town
  • Yuuni 2021 "Folly, Frailty and Fear" at University of Johannesburg Art Gallery
  • Yuuni 2019 "New World Order" at Turbine Art Fair, Johannesburg
  • Yuuni 2018 "Little History" at Johannes Stegmnn Gallery, Bloemfontein
  • Yuuni 2018 "The 14 Stations" installation for Aardklop Festival, University of Potchefstroom
  • Yuuni 2018 "Which Hunt" at Goodman Gallery, Cape Town
  • Yuuni 2017 "Showing Truth to Power" at David Krut Projects, New York
  • Yuuni 2015 "One Pound of Flesh" at Goodman gallery, Johannesburg
  • Yuuni 2014 "The Needle and the Damage Done" at David Krut Projects, Cape Town
  • Yuuni 2013 "No Country for old women" KKNK Festival artist exhibition, Oudtshoorn
  • Yuuni 2012 "Ashes to Ashes and Smoke to Dust", University of Johannesburg Art Gallery
  • Yuuni 2012 "Diane Victor – Recent work" at David Krut Projects, New York, USA
  • Yuuni 2011 "Fables and Folly" at the Faulconer Gallery, Grinnell College, Iowa, USA
  • Yuuni 2011 "Brief Lives", Festival artist at Innibos exhibition, Nelspruit
  • Yuuni 2011 "Ashes to Ashes and Smoke to Dust", University of Johannesburg art gallery
  • Yuuni 2010 "Smoke Screen: Frailty and Failing" at David Krut Projects, New York, USA
  • Yuuni 2010 "Transcend" at Goodman Gallery, Johannesburg
  • Yuuni 2009 Festival artist at Aardklop exhibition, Potchefstroom
  • Yuuni 2006 Solo show at Goodman gallery, Johannesburg
  • Yuuni 2005 Smoke Drawings at Michael Stevenson Gallery, Cape Town
  • Yuuni 2003 Solo show at Goodman gallery, Johannesburg
  • Yuuni 1999 Solo show at Goodman gallery, Johannesburg
  • Yuuni 1997 Joburg Theatre|Civic Theatre, commission, Tesson Theatre, Johannesburg
  • Yuuni 1994 Solo show at Goodman gallery, Johannesburg
  • Yuuni 1990 South African Arts Association, Pretoria Gallery on the Market, Johannesburg

Bɛ zaɣi bɔbigu exhibition nima bin din gbaagi yuuni 2010

[mali niŋ | mali mi di yibu sheena n-niŋ]
  • 2020 "Animal Farm" at 1–54 London, UK
  • 2020 "The Don Quixote Portfolio", Oliewenhuis, Bloemfontein, South Africa
  • 2020 "DDESSIN Paris", Paris, France
  • 2020 "The Lockdown Collection", South Africa
  • 2020 "The Pandemic Project", UJ Arts & Culture, South Africa
  • 2019 "Material Thinking", Durban
  • 2019 "Little Brother" at 1–54 London, UK
  • 2019 "Ampersand 21 years", Johannesburg
  • 2019 "Grand Village", Nontron, France
  • 2018 "Talking to Deaf Ears", Johannesburg
  • 2017 "Fuir" Blachère Foundation, France
  • 2017 Print Triennial, Chamalières, France
  • 2017 "Rethinking Kakotopia" Johannesburg
  • 2016 "Fire Starter" Pretoria
  • 2015 "What remains is tomorrow" Venice Biennial
  • 2015 "Die Burger – 100 years" South Africa
  • 2014 "Ubuntu" Carnegie Hall, New York, USA
  • 2014 "Nomad Bodies" Antwerp, Belgium
  • 2013 "Fragile" Amsterdam, the Netherlands
  • 2013 "Underculture" Port Elisabeth
  • 2013 "Tom Waits for No Man", Johannesburg
  • 2013 "Earth matters", Smithsonian Washington
  • 2012 "Across parallel lines", China
  • 2011 "Collateral", Auckland, NZ
  • 2011 "Contemporaray prints SA", MOMA, NY, USA
  • 2011 "1EEB4", Romania
  • 2010 "Peek a Boo", Helsinki, Finland
  • Herlo van Rensburg, "An interview with Diane Victor." Image and Text. No.5, pp. Silimiingoli , August bɛɣu pish ni ayɔpoin dali hali o bɛɣu pihita ni yini dali, yuuni 1995
  • Herlo van Rensburg, "Purging in the work of Diane Victor: Contradiction and Convergence", silimiingoli June ni yuuni 1996[1]
  • Chris Roper, "Each to his/her own", Mail & Guardian, silimiingoli May dabaa nii dali, yuuni 1998
  • Brenda Atkinson, "Some gems at the end of the rainbow", Mail & Guardian, silimiingoli April dabaa nii dali, yuuni 1999 (Review of Winsor and Newton Millennium Painting Competition)[2]
  • Brenda Atkinson, "Clean: An Exhibition of De-saturated Contemporary Art", ArtThrob, silimiingoli November ni, yuuni 2001[3]
  • Daniel Thöle, "Social statements cross boundaries", Business Day, atalaata dali , silimiingoli April dabaawei dali, yuuni 2002 (Review of 'Transmigrations' at Pretoria Art Museum)[4]
  • Sue Williamson, "Grime' at Bell-Roberts Art Gallery", ArtThrob, silimiingoli July ni, yuuni 2002[5]
  • Andrea Jonker-Bryce, "More than meets the eye", Dispatch Online, alaamishi dali, silimiingoli November bɛɣu pishi ni yini dali, yuuni 2002 (Review of 'Transmigrations' at Ann Bryant Art Gallery)[6]
  • Gordon Froud, "Dianne Victor". DESIGN ART. No 2, silimiingoli December ni, yuuni 2010,[7] pp. 63–73
  • Bongo Mei, "Diane Victor's art and catharis", Daily Maverick, silimiingoli September bɛɣu pihita dali, yuuni 2023
  1. South Africa Gallery. Archived from the original on 28 April 1999.
  2. Winton.
  3. A R T T H R O B / R E V I E W S. Artthrob.co.za. Retrieved 13 March 2012.
  4. Transmigration. Archived from the original on 4 April 2003.
  5. A R T T H R O B / R E V I E W S. Artthrob.co.za. Retrieved 13 March 2012.
  6. Welcome to Dispatch Online. Dispatch.co.za (12 November 2010). Retrieved 13 March 2012.
  7. DESIGN>ART No 2. Issuu.com. Retrieved 1 August 2013.
  • Yuuni 2022, Diane Victor: Prints Drawings Smoke, Published by Mare et Martin ISBN 9782362220807
  • Yuuni 2021, Vitamin D3: Today's Best in Contemporary Drawing, Published by Phaidon ISBN 9781838661694
  • Hobbs, Philippa and Rankin, Elizabeth. Printmaking in a transforming South Africa Parkwood: 2008, David Phillip Publishers, yuuni 1997. ISBN 0864863349.
  • Yuuni 2012, Bronwyn Law-Viljoen, Juliet White, Karen von Veh and Luke Crossley Diane Victor – Burning the Candle at Both Ends Parkwood: David Krut Publishing. ISBN 9780958497534.
  • Yuuni 2008, Rankin, Elizabeth and Karen von Veh. TAXI-013: Diane Victor. Parkwood: 2008, David Krut Publishing Taxi Art Book. ISBN 9780958497589.
  • Yuuni 2004, Perryer, Sophie, ed. 10 years 100 Artists: Art in a Democratic South Africa. ISBN 1868729877.
  • Yuuni 2004, Personal Affects: Power and Poetics in Contemporary South African Art. ISBN 0945802420
  • Rankin, Elizabeth, yuuni 2011. "Human rights and human wrongs: public perceptions of Diane Victor’s Disasters of Peace." South African Journal of Art History 26.1 (2011): 85–95.
  • Rankin, Elizabeth, yuuni 2011. "Collateral: Printmaking as Social Commentary", Gus Fisher Art Gallery, University of Auckland
  • Karen von Veh, yuuni 2018. Essay for Little History Johannes Stegmann Gallery, University of the Free State.
  • Karen von Veh, 2012. “Loss and Transience in the work of Diane Victor.” Diane Victor: Burning the Candle at Both Ends. Johannesburg: David Krut. pp. 5–78.
  • Karen von Veh, 2012. "Diane Victor, Tracey Rose, and the Gender Politics of Christian Imagery." African Arts. Winter 2012.Vol.45. no.4. pp. 22–33
  • Karen von Veh, 2012. “The intersection of Christianity and Politics in South African art: a comparative analysis of selected images since 1960, with emphasis on the post-apartheid era.” De Arte 85. 2012. pp. 5–25.
  • Karen von Veh, 2009. “Saints and Sinners: Re-Evaluating gendered power bases entrenched by religious imagery.” In A.A. du Preez (ed.) Taking a Hard Look: Gender and Visual Culture. Newcastle on Tyne: Cambridge Scholars Publishing. pp. 47–70.
  • Karen von Veh, 2007. “Considerations on the Sasol Wax Art Awards” De Arte 75, September 2007, pp. 64–72.
  • Karen von Veh, 2007. “Transformations of Religious Icons in the work of Diane Victor.” Proceedings of Transformation/s in Visual Culture. The 22nd Annual Conference of the South African Association of Visual Arts Historians, Published by VUT 2007 pp. 179–188.
  • Karen von Veh, 2006. “Is there a place for Feminism in contemporary South African Art?” De Arte, No.73, 2006, pp. 28–42.