Charles L. Sallée Jr
Charles L. Sallée Jr
| Paɣa bee doo | Doo  |
|---|---|
| O ya Tiŋgbaŋ | America |
| Yumaŋli | Charles |
| Daŋ yuli | Sallee |
| Yupapaa | Sallée, Charles L., Jr. |
| Doɣam dabsili | 1913 |
| Dɔɣim Tiŋa | Oberlin, Cleveland |
| Kpibu dabisili | 15 Silimin gɔli February 2006 |
| Tuma | visual artist, Pɛnta-pɛnta |
| Shikuru shɛli o ni chaŋ | Cleveland Institute of Art, Case Western Reserve University, Karamu House |
| Has works in the collection | Metropolitan Museum of Art, Smithsonian American Art Museum |
| Copyright status as a creator | works protected by copyrights |
Charles L. Sallée Jr. (bɛ daa dɔɣi o la yuuni 1913 ka daa kpi yuuni 2006) daa nyɛla African-American nuchee ni baŋda ŋun yina Cleveland, Ohio. Ŋun daa nyɛ tuuli African-Americanima ŋun naagi Cleveland School of Art.
Maŋmaŋa biɛhigu
[mali niŋ | mali mi di yibu sheena n-niŋ]Charles L. Sallée nyɛla ninvuɣ'so bɛ ni daa dɔɣi Oberlin, Ohio. Niriba pam nyɛla ban saɣi n-ti ni Sallée's nyɛla bɛ ni daa dɔɣi so yuuni 1913,[1][2]
Selected exhibitions
[mali niŋ | mali mi di yibu sheena n-niŋ]- 1937: Howard University[3]
- 1937–39: May Show at Cleveland Museum of Art[3]
- 1940: Negro Exposition of 1940[3]
- 1940: Tanner Art Galleries of Chicago[1]
- 1940: tuuli "solo exhibition" be la North Canton Library din be North Canton, Ohio[1]
- 1941: Southside Art Center of Chicago[3]
- 1942: Atlanta University[3]
- January 7–22, 1942:[4] Associated Artists Gallery din be New York: Negro Art from Cleveland’s Karamu House ka ŋun daa gbubi li nyɛ Dorothy Maynor and Eleanor Roosevelt.[5] Di nyɛla bɛ ni daa zaŋ shɛli wuhi Temple University din be Philadelphia bin din gbaai Silimiin goli February dabaa ayi dali zaŋ hali ni biɛɣ'pinaayobu dali yuuni 1942.[4]
Selected works and collections
[mali niŋ | mali mi di yibu sheena n-niŋ]| Work | Collection | Medium |
|---|---|---|
| Jumpin Jive[6] | The Metropolitan Museum of Art | Etching |
| Almeda [7] | Etching and aquatint | |
| Wrecking Crew[8] | Soft-ground etching | |
| By Request [9] | Etching | |
| Cabaret Scene [10] | Soft-ground etching | |
| Bedtime[11] | The Cleveland Museum of Art | Oil on canvas |
| Anna[12] | Etching and aquatint | |
| Cheryl[13] | Brown chalk | |
| Bertha[14] | Etching and aquatint | |
| Swingtime[15] | Saint Louis Art Museum | Etching and aquatint |
| Almeda[16] | Akron Art Museum | Etching and aquatint on paper |
| Ermetta[17] | Etching on paper | |
| Bertha[18] | Etching and aquatint on paper | |
| Juke Box Jive[19] | Karamu House Collection | Aquatint |
| Girl with a Pink Geranium[20] | The Harmon and Harriet Kelley Collection of African-American Art | Oil on canvas |
Kundivihira
[mali niŋ | mali mi di yibu sheena n-niŋ]- 1 2 3 Bradley, Barbara J., and Kathleen Mills (1996). Transformations in Cleveland Art: 1796–1946. Cleveland, OH: Cleveland Museum of Art. p. 236. ISBN 0940717336.
- ↑ Williams, Reba, Williams, Dave (1993). Alone in a Crowd: Prints of the 1930s-40s by African American Artists From the Collection of Reba and Dave Williams. United States: Washburn Press. p. 54.
- 1 2 3 4 5 Rahn, Zita (1996). : Yet We Still Rise: African American Art In Cleveland 1920–1970. Cleveland, OH: Cleveland Artists Foundation. p. 79. ISBN 09639562-4-8.
- 1 2 Bradley, Barbara J., and Kathleen Mills (1996). Transformations in Cleveland Art: 1796–1946. Cleveland, OH: Cleveland Museum of Art. p. 159. ISBN 0940717336.
- ↑ Rahn, Zita (1996). : Yet We Still Rise: African American Art In Cleveland 1920–1970. Cleveland, OH: Cleveland Artists Foundation. pp. 24–25. ISBN 09639562-4-8.
- ↑ Jumpin Jive.
- ↑ Almeda.
- ↑ Wrecking Crew.
- ↑ By Request.
- ↑ Cabaret Scene.
- ↑ Bedtime (November 2018).
- ↑ Anna (November 2018).
- ↑ Cheryl (2018-10-31).
- ↑ Bertha (November 2018).
- ↑ Swingtime.
- ↑ Almeda.
- ↑ Ermetta.
- ↑ Bertha.
- ↑ Bradley, Barbara J., and Kathleen Mills (1996). Transformations in Cleveland Art: 1796–1946. Cleveland, OH: Cleveland Museum of Art. p. 156. ISBN 0940717336.
- ↑ Williams, Reba, Williams, Dave (1993). Alone in a Crowd: Prints of the 1930s-40s by African American Artists From the Collection of Reba and Dave Williams. United States: Washburn Press. p. 147.
Further reading
[mali niŋ | mali mi di yibu sheena n-niŋ]- Locke, Alain. The Negro In Art: A Pictorial Record of the Negro Artist and of the Negro Theme in Art. New York: Hacker Art Books, 1968.
- Collins, Lisa Gail, Lisa Mintz Messinger, and Rachel Mutalish. African-American Artists, 1929–1945: Prints, Drawings, and Paintings in The Metropolitan Museum of Art. New York: The Metropolitan Museum of Art, 2003.
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