Henry Ossawa Tanner (bɛ dɔɣi o la silimiingoli June bɛɣu pish ni yini dali, yuuni 1859 ka o kani silimiingoli May bɛɣu pishi ni anu dali, yuuni 1937) o nyɛla America nucheeni baŋdi so ŋun lee n ʒini France tingbanni . Ŋuni n nyɛ tuuli gbanpiɛli gbansabinli ŋun na min di duniya zaa kpaŋmaŋ pini .[1] Tanner nyɛla ŋun daa chaŋ Paris, France, yuuni 1891 ni o ti bɔ baŋsim shikuru yuli booni Académie Julian ka di sɔŋɔ ka o pa nyɛ yuli n kpe France nucheeni tuun tumdi bɛ ni. Yuuni 1923, French gomdanti daa nyɛla ŋun piigi Tanner chevalier ka o leegi Legion of Honor.[2][3]
1989: Black Art Ancestral Legacy: The African Impulse in African-American Art. Dallas Museum of Art.
1993: Revisiting the White City: American Art at the 1893 World's Fair[12]
2010: Henry Ossawa Tanner and his Contemporaries,[13] Des Moines Art Center (December–February 2011).
2012: Henry Ossawa Tanner: Modern Spirit,[14] Pennsylvania Academy of the Fine Arts, Philadelphia (January–April), then to Cincinnati Art Museum[15] (May–September) and to Houston Museum of Fine Arts (October–January 2013)
↑Mosby, Dewey F. (1991). Henry Ossawa Tanner. Philadelphia Museum of Art. Philadelphia; New York: Philadelphia Museum of Art; Rizzoli International Publications. p.50. ISBN978-0-8478-1346-9.
↑Carlyn G. Crannell Romeyn(Winter 1983–1984)."Henry O. Tanner: Atlanta Interlude". The Atlanta Historical Journal27(4).“On the other hand, it is possible that some of tanner's Atlanta friends secured the three works (including The Bagpipe Lesson which won a bronze medal) for this exposition.”
123456789Mosby, Dewey F. (1991). Henry Ossawa Tanner. Philadelphia Museum of Art. Philadelphia; New York: Philadelphia Museum of Art; Rizzoli International Publications. p.39. ISBN978-0-8478-1346-9. 1895 May. Paris, Salon. Intérieur Bretagne [Brittany Interior], Le Jeune Sabotier [The Young Sabot Maker], pastel of New Jersey coast by moonlight.
↑Woods, Naurice Frank, Jr., Ph.D. Insuperable Obstacles: The Impact of the Creative and Personal Development of Four Nineteenth Century African American Artists. The Union Institute, 1993.
↑Henry Ossawa Tanner Lot 41: Henry Ossawa Tanner, (American, 1859-1937), Woman from the French West Indies, c. 1891.“The artist arrived in Paris, France at this time and spent the summers on the west coast in Brittany. There, he adopted a predominately green palette with an emphasis on vertical brushstrokes as can be seen in the Woman from the French West Indies...we are looking at an image of a light-skinned woman from one of the islands of the French West Indies-Martinique, Guadeloupe or Dominica. This claim is supported by her costume and headdress.”
↑Henry Ossawa Tanner (July 1909). "The Story of an Artist's Life: II Recognition". The World's Work. Vol.18 no.3. Open Court Publishing Co. p.11772. In 1895, I painted "Daniel in Lions' Den."...It was exhibited in the Salon of 1896..
Anna O. Marley, ed. Henry Ossawa Tanner: Modern Spirit (University of California Press: 2012).
Marcia M. Matthews, Henry Ossawa Tanner: American Artist (University of Chicago Press: 1995).
Kristin Schwain, Signs of Grace: Religion and American Art in the Gilded Age (Cornell University Press: 2007).
Will South, “A Missing Question Mark: The Unknown Henry Ossawa Tanner,” Nineteenth-Century Art Worldwide, vol. 8. issue 2 (Autumn 2009).
Judith Wilson, “Lifting ‘The Veil’: Henry O. Tanner’s The Banjo Lesson and The Thankful Poor,” Contributions in Black Studies: A Journal of African and Afro-American Studies, volume 9, article 4.
Henry Ossawa Tanner: Modern Spirit (University of California Press, 2012)—the most complete scholarly publication to date produced in conjunction with the Pennsylvania Academy of Fine Arts (PAFA), Tanner's alma mater