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Camille Billops

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Camille Billops
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Camille Josephine Billops (bɛ daa dɔɣi o la Silimiin goli August biɛɣ'pin'yini dali yuuni 1933 ka daa kpi Silimiin goli June dahin yini dali yuuni 2019)[1] daa nyɛla African-American nuchee ni baŋda mini shikuru baŋda.

Piligu biɛhigu mini shikuru baŋsim

[mali niŋ | mali mi di yibu sheena n-niŋ]

Billops nyɛla bɛ ni daa dɔɣi so Los Angeles, California ka o lammba nyɛ Alma Gilmore ŋun yina South Carolina mini Luscious Billops ŋun yina Texas.[2][3][4][5]

  • 1963: Fellowship from Huntington Hardford Foundation [6]
  • 1975: MacDowell Colony Fellowship[6]
  • 1975-76: International Women's Year Award[6]
  • 1992: Sundance Film Festival, Grand Jury Prize for documentaries for Finding Christa
  • 1994: James VanDerZee Award, Brandywine Graphic Workshop[6]
  • 1982: Suzanne, Suzanne (Documentary short) – Director
  • 1987: Older Women and Love (Documentary short) – Director
  • 1991: Finding Christa (Documentary) – Director, producer, writer
  • 1994: The KKK Boutique Ain’t Just Rednecks – Director
  • 1998: Take Your Bags (Short) – Director
  • 2002: A String of Pearls (Documentary) – Director, producer, production designer
  • 2009: And That's the Way It Is (Short) – Production manager
  • 2019: Georgia Museum of Art at the University of Georgia, Atlanta, Georgia.[7]
  • 2016: Still Raising Hell: The Art, Activism, and Archives of Camille Billops and James V. Hatch, Atlanta, Georgia.[8]
  • 1997: Inside the Minstrel Mask, Noel Fine Art Acquisitions, Charlotte, North Carolina[9]
  • 1991: Black Filmmakers Hall of Fame, Oakland, California[9]
  • 1990: Clark College, Atlanta, Georgia[9]
  • 1986: Calkins Gallery, Hofstra University, Hempstead, New York[9]
  • 1983: American Center, Karachi, Pakistan; Pescadores Hsien Library, Makung, Republic of China[9]
  • 1980: Buchandlung Welt, Hamburg, Germany[9]
  • 1997: Rutgers University, Newark, New Jersey[9]
  • 1973: Ornette Coleman's Artist House, New York, New York[9]
  • 1965: Gallerie Akhenaton, Cairo, Egypt[9]
  1. Greenberger, Alex (2019-06-03). Camille Billops, Maker of Unflinching Documentary Films, Is Dead at 85 (en-US).
  2. Camille Billops. The History Makers. Retrieved 7 March 2015.
  3. Winston, Connie (Spring 2012). "The Art of Remembering: Camille Billop and James Hatch". Nka: Journal of Contemporary African Art 2012 (30): 36–43. DOI:10.1215/10757163-1496453. ISSN 1075-7163.
  4. Billops, Camille (1933– ). BlackPast.org (2015-08-10). Retrieved 24 February 2016.
  5. Brownlee, Andrea; Cassel Oliver, Valerie (2008). Cinema remixed & reloaded : Black women artists and the moving image since 1970. Houston Atlanta Seattle, WA: Contemporary Arts Museum Spelman College Museum of Fine Art, University of Washington Press. pp. 62–69. ISBN 9780295988641. OCLC 227033043.
  6. 1 2 3 4 A century of African American art : the Paul R. Jones collection. Amaki, Amalia K. Newark, Del.: University Museum, University of Delaware. 2004. ISBN 978-0813534572. OCLC 54035257.CS1 maint: others (link)
  7. Peterson, McKenzie (2019-02-05). "'Stony the Road We Trod' on view at museum". UGA Today. https://news.uga.edu/stony-the-road-we-trod/.
  8. "Billops-Hatch archives of African American arts materials to be on display at Emory". Emory News Center. 2016-08-13. https://news.emory.edu/stories/2016/08/upress_billops_hatch_exhibit/campus.html.
  9. 1 2 3 4 5 6 7 8 9 Farris, Phoebe (1999). Women artists of color : a bio-critical sourcebook to 20th century artists in the Americas. Westport, Conn: Greenwood Press. p. 239. ISBN 978-0313303746. OCLC 607117768.

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