Valerie Cassel Oliver
Yi palo
| Valerie Cassel Oliver | |
|---|---|
| O ya Tiŋgbaŋ | America |
| Education | |
| Shikuru shɛli o ni chaŋ | University of Texas System (en) Howard University (en) |
| Tuma | |
| Tuma | exhibition curator (en) |
| Pin' shɛŋa o ni dee | view
|
Valerie Cassel Oliver nyɛla nuchee ni baŋda ŋun be Virginia Museum of Fine Arts (VMFA). Tuuli, o daa nyɛla "senior curator" zaŋ n-ti Contemporary Arts Museum Houston (CAMH) din be Texas. Cassel's.
Piligu biɛhigu
[mali niŋ | mali mi di yibu sheena n-niŋ]Oliver nyɛla ŋun zoogi Houston,o nyɛla ŋun chaŋ University of Texas at Austin ka daa lahi naai Howard University.[1] O nyɛla ŋun lahi mali EMBA degree ka di yina shikuru yuli booni Columbia Business School.[2]
Tuma
[mali niŋ | mali mi di yibu sheena n-niŋ]Honors
[mali niŋ | mali mi di yibu sheena n-niŋ]Yuuni 2006, Oliver nyɛla ŋun daa di Getty Curatorial Research Fellowship.[3] Yuuni 2011, o daa di la David C. Driskell Prize ka di daa yina Atlanta's High Museum of Art,[4] o daa lahi di $25,000 prize ka di nyɛla kpaŋmaŋ shɛli o ni daa niŋ African diaspora.[5][6]
Exhibitions
[mali niŋ | mali mi di yibu sheena n-niŋ]- The Dirty South: Contemporary Art, Material Culture, and the Sonic Impulse, VMFA, Richmond, Virginia, 2021[7][8]
- Angel Otero: Everything and Nothing, CAMH, Houston, TX, 2016[9]
- Right Here, Right Now: Houston, Volume 2, CAMH, Houston, TX, 2016[10]
- Jennie C. Jones: Compilation, CAMH, Houston, TX, 2015[11]
- Trenton Doyle Hancock: Skin and Bones, 20 Years of Drawing, 2014[12]
- Radical Presence: Black Performance in Contemporary Art, 2013[13][14][15]
- Hand+Made: The Performative Impulse in Art and Craft, 2010[3]
- Benjamin Patterson: Born in the State of FLUX/us, 2010[16]
- Cinema Remixed & Reloaded: Black Women Artists and the Moving Image since 1970, 2007[3]
- Black Light/White Noise, 2007
- Double Consciousness: Black Conceptual Art Since 1970, 2005[17]
- Splat Boom Pow! The Influence of Cartoons in Contemporary Art, 2003
Kundivihira
[mali niŋ | mali mi di yibu sheena n-niŋ]- ↑ (2009) "Interview with Valerie Cassel Oliver". Callaloo 32 (1): 57–64. DOI:10.1353/cal.0.0340.
- ↑ Relations, Bard Public. Valerie Cassel Oliver to Receive 2022 Audrey Irmas Award for Curatorial Excellence from CCS Bard (en).
- 1 2 3 Britt, Douglas (16 August 2010). "CAMH names Valerie Cassel Oliver senior curator". Houston Chronicle. http://blog.chron.com/peep/2010/08/camh-names-valerie-cassel-oliver-senior-curator/.
- ↑ 2011 Prize Winner: Valerie Cassel Oliver. High Museum of Art.
- ↑ Driskell Prize. High Museum of Art.
- ↑ Cochran, Rebecca Dimling (20 May 2011). "Houston curator Valerie Cassel Oliver on Atlanta, Driskell Prize, "Atlanta Art Now"". ArtsATL. http://artsatl.com/houston-curator-valerie-cassell-oliver-on-atlanta-driskell-prize-atlanta-art-now/.
- ↑ The Dirty South: Contemporary Art, Material Culture, and the Sonic Impulse - Exhibitions (en-US) (2021-09-06).
- ↑ Cassel Oliver, Valerie (2021). The dirty south : contemporary art, material culture, and the sonic impulse. Regina N. Bradley, Charlie R. Braxton, Andrea Barnwell Brownlee, Kirsten Pai Buick, Jennifer Burris, Rhea L. Combs, Park McArthur, DJ Spooky That Subliminal Kid, Fred Moten, Anthony B. Pinn, Guthrie P. Ramsey, Roger Reeves, Virginia Museum of Fine Arts, Contemporary Arts Museum, Crystal Bridges Museum of American Art, Museum of Contemporary Art/Denver. Richmond, Virginia. ISBN 978-1-934351-19-2. OCLC 1249798864.
- ↑ Glentzer, Molly (December 16, 2016). "Artist Angel Otero's experimental layering creates works full of dimension". Houston Chronicle. http://www.houstonchronicle.com/entertainment/arts-theater/article/Artist-Angel-Otero-s-experimental-layering-10801867.php.
- ↑ Glentzer, Molly (August 26, 2016). "Show of force: CAMH spotlights hometown trio in solo retrospectives". Houston Chronicle. http://www.houstonchronicle.com/entertainment/article/Show-of-force-CAMH-spotlights-hometown-trio-in-9187232.php.
- ↑ Sargent, Antwuan (January 10, 2016). "Sound Paintings Tell Stories of the Black Avant-Garde" (en-us). Creators (Vice). https://creators.vice.com/en_us/article/jones-acoustic-sound-painting.[permanent dead link]
- ↑ Glentzer, Molly (April 25, 2014). "Trenton Doyle Hancock's drawings on view at CAMH". Houston Chronicle. http://www.houstonchronicle.com/entertainment/arts-theater/article/Trenton-Doyle-Hancock-s-drawings-on-view-at-CAMH-5430627.php.
- ↑ Smith, William S. (September 13, 2013). "Valerie Cassel Oliver talks Black Performance Art - Interviews". Art in America Magazine. http://www.artinamericamagazine.com/news-features/interviews/valerie-cassel-oliver-talks-black-performance-art/.
- ↑ Lennard, Debra (25 November 2013). "The Radical Boundaries of African-American Performance". Hyperallergic. https://hyperallergic.com/95314/the-radical-boundaries-of-african-american-performance/.
- ↑ Nguyen, Stacey (18 June 2015). "'Radical Presence' radiates spirit of contemporary black performance art". The Daily Californian. http://www.dailycal.org/2015/06/18/radical-presence-radiates-spirit-contemporary-black-performance-art/.
- ↑ Walls, Seth Colter (2 July 2016). "Benjamin Patterson: the Fluxus artist who composed with ants". The Guardian. https://www.theguardian.com/artanddesign/2016/jul/02/benjamin-patterson-fluxus-artist-composed-ants.
- ↑ Maus, Derek C.; Donahue, James J. (2014-07-07). Post-Soul Satire: Black Identity after Civil Rights (in English). Univ. Press of Mississippi. p. 8. ISBN 9781617039980.
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