Third Cinema

Third Cinema

movement in cinema

Siɣili-lana yuli	Toward a Third Cinema
Pilibu saha	1960s
Naabu saha	1980s

 

 From Wikidata

Third Cinema (Spanish: Tercer Cine) nyɛla sinii din yi America na ka bɛ daa kpali yuuni 1960s din daa wuhi bɛ lebiginsim, bɛ tingbani zuɣu ni bɛ sinii nima zaa laɣingu ka di pa shɛli di yi kana liɣiri polo.

Di gbunni

Solanas mini Getino yɛltɔɣa zaŋ chaŋ 'tuuli dinii' ni di zi sinii nima zaa din wuhiri ni dina n zaŋ niriba haŋkali ni biɛhigu ni niŋ laɣingu maa ni

Niiyanima

Niiya dibaa anahi ka bɛ gbaai bɛ laɣingu maa puuni: Glauber Rocha's "kum din viɛla" (1965), Julio García Espinosa's "zaŋ ti sinii din be viɛla" (1969), Yɛltɔɣ' bihi bihi din bɛ sinii puuni " (1976) Jorge Sanjinés ni daa zaŋli na, din bahindi "zaŋ chani sinii din pahi ata ni" (1969) ka Fernando Solanas mini Octavio Getino zaŋli na.

Third cinema sinii nima

• Vidas Secas, Nelson Perreira Dos Santos (Brazil, 1963)
• La Hora de Los Hornos, Fernando Solanas mini Octavio Getina (Argentina, 1968)
• Memorias del Subdesarrollo, Thomas Guiterrez Alea, (Cuba, 1968)
• Antonio das Mortes, Glauber Rocha (Brazil, 1969)
• Blood of the Condor, Jorge Sanjines (Bolivia, 1969)
• Mandabi, Ousmane Sembene (Senegal, 1969)
• México, la revolución congelada, Raymond Glevzer (Argentina, 1971)
• The Principal Enemy, Jorge Sanjines (Peru, 1974)
• Towers of Silence, Jamil Dehlavi (Pakistan, 1975)
• The Vampires of Poverty, Luis Ospina and Carlos Mayolo (Colombia, 1978)