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Meta Vaux Warrick Fuller

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Meta Vaux Warrick Fuller
Philadelphia (mul) Translate, Silimin gɔli June 9, 1877
O ya TiŋgbaŋAmerica
African Americans (en) Translate
Kpibu sheeFramingham, Silimin gɔli March 18, 1968
Paɣa/yidanaSolomon Carter Fuller (en) Translate  (1909 - Silimin gɔli March 18, 1968)
Daŋ bee zuliya
Education
Shikuru shɛli o ni chaŋPennsylvania Museum and School of Industrial Art (en) Translate
Académie Colarossi (en) Translate
The University of the Arts (en) Translate
Bala yɛlibu, sabbu bee buɣisibuSilmiinsili
Tuma
Tumasculptor (en) Translate, daankpɛɣulana ni artist (en) Translate
Influenced byW. E. B. Du Bois ni Auguste Rodin (mul) Translate
Nira zaŋtiAlpha Kappa Alpha (en) Translate
LaɣinguHarlem Renaissance (en) Translate
YupapaaFuller, Meta Vaux Warrick

Meta Vaux Warrick Fuller (/miːtə ˈvaʊ/ MEE-tə VOW; bɛ daa dɔɣi la Meta Vaux Warrick Silimiin goli June dabaa awɔi dali yuuni 1877 ka daa kpi Silimiin goli March biɛɣ'pinaata dali yuuni 1968[lower-alpha 1]) daa nyɛ African-American nuchee ni baŋda. 20th century saha, o nyɛla ŋun daa leei tuuli paɣa ŋun gbansabilim nuchee ni baŋda ka be Paris pɔi ka daa labi United States.[1]

Meta Vaux Warrick Fuller nyɛla bɛ ni daa dɔɣi so Philadelphia, Pennsylvania Silimiin goli June dabaa awɔi dali yuuni 1877.[2] O laamba n-daa nyɛ Emma (née Jones) Warrick,[3] mini William H. Warrick.[4][5]

Pennsylvania Academy of the Fine Arts (c. 1895)
Meta Vaux Warrick Fuller, Mary Turner, painted plaster sculpture,1919
Dark Hero, National Archives and Records Administration, College Park, Maryland

Warrick Fuller nyɛla ŋun daa kpi Silimiin goli March biɛɣ'pinaata dali yuuni 1968,[6][7][lower-alpha 1] Cardinal Cushing Hospital din be Framingham, Massachusetts.[7]

Meta Vaux Warrick Fuller, Ethiopia Awakening, c. 1921, small maquette (location unknown), reproduced in Robert T. Kerlin, Negro Poets and their Poems (Washington, DC: Associated Publishers, Inc., 1923), 45.
  • Bacchante, painted plaster sculpture, 1930[9]
  • Emancipation, in plaster, 1913; in bronze, 1999.[10] Featured on the Boston Women's Heritage Trail.[11]
  • Ethiopia, small maquette cast in plaster and painted to resemble bronze, c. 1921, 13 × 3 1/2 × 3 7/8 in., National Museum of African American History and Culture.[12]
  • Ethiopia Awakening, bronze sculpture, greenish-black patina, c. 1921, 67 x 16 x 20 in., Schomburg Center for Research in Black Culture, New York Public Library.[13][14]
  • Henry Gilbert, painted plaster sculpture, 1928[9]
  • Jason, painted plaster sculpture, Danfort Museum[15][9]
  • La petite danseuse, bronze sculpture, Los Angeles County Museum of Art[16]
  • Les Miserables, bronze sculpture, Maryhill Museum zaŋ n-ti Art, Goldendale, Washington[9]
  • Lazy Bones din be Shade, sculpture, c. 1937[9]
  • Man Eating Out His Heart, painted plaster sculpture, 1905–1906. It represents a kneeling male nude eating his heart.[9]
  • Mary Turner (A Silent Protest Against Mob Violence), painted plaster sculpture, 1919, Museum of Afro-American History, Boston, Massachusetts[9]
  • Mother and Child, cast bronze sculpture, 1962, Massachusetts Institute of Technology[9]
  • Peace Halting the Ruthlessness of War, c.1917, renamed and unveiled as "Ravages of War" on October 15, 1999, at West Virginia State College[17]
  • Phyllis Wheatley (c. 1753-1784), painted plaster sculpture, c. 1925. It was made based upon an engraving published in 1773[9]
  • Refugee, sculpture, c. 1940. Hunched male figure with a cane in his hand[9]
  • Talking Skull, bronze sculpture, 1937, Museum of Afro-American History, Boston, Massachusetts. Kneeling male figure facing a skull[9]
  • The Good Shepherd, painted plaster sculpture, c. 1926–1927[9]
  • Waterboy, sculpture, 1930[9]
  1. ↑ "Negro Girl Wins Fame Is The Only Sculptress Of The Colored Race. Meta Vaux Warrick." Wichita Searchlight (Wichita, Kansas), November 8, 1902: 1. Readex: African American Newspapers.
  2. 1 2 Meta Vaux Warrick Fuller.
  3. ↑ Hoover, Velma J. (1977). "Meta Vaux Warrick Fuller: Her Life and Her Art". Negro History Bulletin 40 (2): 678–681. ISSN 0028-2529.
  4. ↑ Farrington, Lisa (2005). Creating Their Own Image The History Of African American Women Artists. New York, New York: Oxford University Press. p. 65. ISBN 978-0-19-516721-4.
  5. ↑ Meta Warrick Fuller (en-US).
  6. 1 2 "Obituary Meta Vaux Warrick Fuller". The Boston Globe: pp. 30. 1968-03-13. https://www.newspapers.com/article/the-boston-globe-obituary-boston-globe-1/54537460/.
  7. 1 2 West, Sandra L. (2003). "Fuller, Meta V. Warrick". Encyclopedia of the Harlem Renaissance. New York: Facts On File. Retrieved 2014-03-28.
  8. ↑ A chirim ya: Invalid <ref> tag; no text was provided for refs named Finkelman
  9. 1 2 3 4 5 6 7 8 9 10 11 12 13 Meta Warrick Fuller. SIRIS database search. Smithsonian Institution. Retrieved 2014-05-11.
  10. ↑ Emancipation » Public Art Boston.
  11. ↑ South End.
  12. ↑ Ethiopia.
  13. ↑ Ethiopia Awakening.
  14. ↑ Ethiopia Awakening.
  15. ↑ Meta Warrick Fuller : Sculptures from the Studio. Archived 2014-05-12 at the Wayback Machine Danforth Museum of Art. 11 May 2014.
  16. ↑ Girard, Caroline (2022-07-08). Un bronze de Meta Vaux Warrick Fuller acquis par le LACMA (fr).
  17. ↑ "'Ravages' Unveiling Oct. 15 at WVSC." The Charleston Gazette, Oct 14, 1999.
    • Ater, Renée. Remaking Race and History: The Sculpture of Meta Warrick Fuller. Berkeley: University of California Press. 2011. ISBN 9780520262126 Tɛmplet:Oclc
    • (2015) "Meta Warrick Fuller's Mary Turner: and the Memory of Mob Violence". Nka: Journal of Contemporary African Art 36 (1): 16–27. DOI:10.1215/10757163-2914284. Tɛmplet:Project MUSE.
    • (2003) "Meta Warrick's 1907 'Negro Tableaux' and (Re)Presenting African American Historical Memory". The Journal of American History 89 (4): 1368–1400. DOI:10.2307/3092547. Tɛmplet:ProQuest.
    • Driskell, David C. et al. Harlem Renaissance: Art of Black America, New York, 1994. ISBN 0810910993
    • Igoe, Lynn Moody with James Igoe, 250 years of Afro-American Art: An Annotated Bibliography. New York: Bowker, 1981. Tɛmplet:Oclc
    • An Independent Woman: The Life and Art of Meta Warrick Fuller (1877-1968). Framingham, MA: Danforth Museum of Art. 1984. Exhibition catalogue. Tɛmplet:Oclc
    • Kerr, N. God-Given Work: The Life and Times of Sculptor Meta Vaux Warrick Fuller, 1877-1968, Amherst, 1987.
    • King-Hammond, L. et al. 3 Generations of African American Women Sculptors: A Study in Paradox, Philadelphia, 1996.
    • (1990) "The Genius of Meta Warrick Fuller". Black American Literature Forum 24 (1): 65–72. DOI:10.2307/2904066.
    • Powell, Richard J. and David A. Bailey. Rhapsodies in Black: Art of the Harlem Renaissance, 1997.
    • Schneider, Erika. (2022). “Asserting Agency: Meta Vaux Warrick Fuller’s Scrapbook,” ' Panorama: Journal of the Association of Historians of American Art 8 (2). https://doi.org/10.24926/24716839.15090

    Tɛmplet:Framingham, Massachusetts Tɛmplet:New Woman (late 19th century)

    1. 1 2 Her date of death is also stated as March 18, 1968,[2][8] but there are newspaper articles from March 13 that stated she died on that day.[6]
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