Yiɣi chaŋ yɛligu maŋamaŋa puuni

Bruce Onobrakpeya

Diyila Dagbani Wikipedia

Bruce Obomeyoma Onobrakpeya (bɛ dɔɣi o la silimiingoli August bɛɣu pihita dali, yuuni 1932) o nyɛla Nigerian ŋun tumdi nucheeni tuma din nyɛ printmaker, painter nti pahi sculptor. O nyɛla ŋun wuhi baŋsim Tate Modern din be London la ni, ni National Museum of African Art din be Smithsonian Institution n be Washington, D.C., nti pahi Malmö Konsthall in Malmö, din be Sweden.[1]din nyɛ . National Gallery of Modern Art, Lagos, nyɛla Onobrakpeya ni wuhi baŋsim pam shɛli yaha[2] ka o tuma nim pam nyɛ din ni tooi nya Virtual Museum of Modern Nigerian Art puuni.

Bruce Onobrakpeya nyɛla bɛ ni dɔɣi so tiŋ yuli booni Agbarha-Otor din be Delta State, o ba n nyɛ Urhobo . O nyɛla ŋun zoogi dolodolo ni, amaa ka lahi bɔhim bɛ ya kaya ni taada yaha. O daŋ nyɛla ban daa kuli tiŋyuli booni Benin City, Edo State, saha shɛli o ni daa na nyɛ bia. O chaŋla shikuru yuli booni Western Boys High School, ni ka o daa bɔhim nucheeni tuma o karimba yuli daa booni Edward Ivehivboje sani .

Public collections holding his work

[mali niŋ | mali mi di yibu sheena n-niŋ]
  • University of Lagos Library, Akoka, Lagos
  • Catholic Chapel, University of Ife, Ile-Ife
  • St. Paul’s Church, Ebute-Metta, Lagos
  • National Gallery of Modern Art, National Theatre, Iganmu, Lagos
  • St. John the Evangelist Church, Shogunle, Ikeja
  • Museum of African and African-American Art and Antiquities, Buffalo, New York
  • Eda Lord Demarest Memorial African Art Collection, University of Redlands
  • University of Alberta, Edmonton, Alberta, Canada
  • Vatican Museum, Rome
  • National Museum of African Art, Smithsonian Institution, in Washington, D.C
  • Hvittrask Suomi – Finland (Eliel Saarinen’s Studio Home and Exhibition)
  • Murtala Mohammed International Airport, Ikeja
  • Leader of Victory Museum, Baghdad, Iraq
  • Presidential Villa, Aso Rock, Abuja, Nigeria
  • National Gallery, Nairobi, Kenya
  • Victoria and Albert Museum London.
  • The Metropolitan Museum of Art,
  • Minneapolis Institute of Arts
  • The British Museum.
  • King Mohammed VI Collection Morocco.
  • Tate Modern, London.
  • Achebe, Chinua, No Longer At Ease, Heinemann, London
  • Babalola, Adeboye, Iwe Ede Yoruba, Apa Kini, Longmans of Nigeria, 1961
  • Ekwensi, Cyprian, An African Night’s Entertainment, AUP Lagos, 1962
  • Ekwensi, Cyprian, Juju Rock, AUP Lagos
  • Nigerian Episcopal Conference, May Your Kingdom Come, Geoffery Chamman, London, 1969
  • Nwankwo, Nkem, Tales Out of School, (Cover illustration), AUP, Ibadan
  • Onadipe, Kola, Sugar Girl, AUP, 1964
  • Uwemedimo, Rosemary, Akpan and the Smugglers, AUP, Ibadan, 1965
  • Quacoopne, T. N. O., West African Religion, AUP,Ibadan, 1969
  • Taiwo, Oladele, The Hunter And The Hen, AUP, Ibadan, 1969
  • Haeger, Barbara, Africa: On Her Schedule is Written A Change, AUP, Ibadan, 1981
  • Onadipe, Kola, Magic Land of the Shadows, AUP, Lagos, 1970
  • Soyinka and Fagunwa, A Forest of a Thousand Demons, Nelson, London
  • Deliss, Clementine, Seven Stories About Modern Art in Africa, White Chapel Art Gallery, London, 1985
  • Nzekwu, Onuora and Michael Crowder, Eze Goes to School (cover Illustration), AUP, Ibadan, 1986
  • Fagunwa, Daniel Orowole, Forest of A Thousand Daemons, City Lights, 2013 ISBN 9780872866300

Dissertations and selected reference materials

[mali niŋ | mali mi di yibu sheena n-niŋ]
  • AIPOH, MARY ANNE U., "Religious Themes in Bruce Onobrakpeya’s Works". An unpublished dissertation presented to the Department of Fine Arts, Faculty of Arts, University of Ife, Ile-Ife, Nigeria, as part of the fulfilment for the Degree B.A. (Fine Arts) 1983, 53 pages.
  • EKEH, PETER P., "Studies in Urhobo Culture. Chapter 26: Bruce Onobrakpeya: His Art and International Reputation", by Richard A. Singletary, Ph.D. of Singletary Gallery & African Art Museum, Portsmouth, Virginia, USA, pp. 632–681. Urhobo Historical Society (Buffalo, New York and Ikeja, Lagos Nigeria) ISBN 978-067-769-0, 768 pages with index and photo of Onobrakpeya.
  • FULLANI, GIOVANNI (E), San Paolo Nell” Art Contemporanea (Musei Vaticani (1977) page 112,176
  • FALUADE, GBOLAHAN, "The Art of Bruce Onobrakpeya" (unpublished essay submitted to the Department of Fine Arts in partial fulfilment for the award of B.A. (Fine Art), University of Ife, Ile-Ife, Nigeria, June 1979), 59 pages.
  • FOSU, KOJO, 20th Century Art of Africa, Zaira, Nigeria: Gaskiya Corporation Ltd, 1986.
  • JEGEDE, DELE, "Trends in Contemporary Nigerian Art, A Historical Analysis", unpublished Ph.D. dissertation, 1973.
  • MOUNT, MARSHAL WARD, African Art: The Year Since 1920, Bloomington and London: Indiana University Press, 1973.
  • ODUFEJO, C. M. SUNDAY, "The Art of Bruce Onobrakpeya as I See it in 1975" (unpublished HND thesis, Yaba College of Technology), June 1976, 88 pages.
  • OKEKE EZE, EMMANUEL, "Bruce Onobrakpeya – A Research into the Print Experiments of a Contemporary Nigerian Artist" (unpublished Bachelor of Arts thesis, University of Nigeria, Nsukka), 1976, 92 pages.
  • OKEKE, UCHE, Art in Development – A Nigerian Perspective, Documentation Centre, Asele Institute Nimo, Nigeria and African American Cultural Centre, Minneapolis, USA, 1982, 91 pages.
  • UDOMA EKPO UDO, "Non-Naturalistic Representation in Contemporary Nigerian Paintings (A Study of Styles and Trends)", an unpublished Master of Arts dissertation, Ahmadu Bello University, Zaria, 1989.
  • OLAOSEBIKAN W. A., Cultural and Creative Arts: A Source Book for Teachers, Ibadan: Evans Brothers (Nigeria Publishers) Ltd, Ibadan, page 38, 60, 112, 116.
  • OYELOLA, PAT Everyman’s Guide to Nigerian Art, Nigeria. Magazine special publication, Lagos, 1976
  • Nigerian Artistry: Written by Pat Oyelola with foreword by Bruce Onobrakpeya, published by Mosuro Publishers, 2010.
  • SPRING, CHRISTOPHER ANGANZA AFRIKA, African Art Now, Lawrence King, 2008, pp. 246–251.
  • SIKPI, GREGORY KOFI, "History of Contemporary Nigerian Art" (unpublished Bachelor of Arts Degree thesis, Faculty of Arts, University of Lagos, July 1988)
  • WAHLMAN, MAUDE, Contemporary African Art, Chicago, 1974
  • ROLF BROCKMANN, GERD HOTTER, Szene Lago, Reise in Eine Afrikanische, Kultermetropole, Trickster Verlag 1994.
  • WALKER, JAMES The Black Experience in Canada, published by the Ontario Education Communications Authority, 1979, page 80.
  • WILLET, FRANK, African Art, Thames and Hudson London, 1971.
  • VERNICEM. KELLY, Nigerian Artist: A Who’s Who and Bibliography,

Published JANET L., STANLEY for the National Museum of African Art Branch Smithsonian Institution Libraries Washington, D.C. by Hans Zell London, 1993.

  • STANLEY, JANET L., Arts of Africa – An Annotated Bibliography. Volume I & II, African Studies Association Press, Atlanta, 1992, 1993
  • KENNEDY, JEAN, New Currents, Ancient Rivers: Contemporary African Artists in a Generation of Change, Smithsonian Institution Press, Washington D.C. USA1992.
  • HANS D’ ORVILLE, Leadership for Africa, edited, 1995 (Editor)
  • DUNCAN,. CLARKE, African Art, Random House, New York.
  • PICTON, JOHN, Image and Form (prints drawings and Sculpture from Southern Africa and Nigeria) School of African and Oriental Studies (SOAS) University of London 1997.
  • REVUE NOIRE Nigeria: African Contemporary Art, No. 30, 1998. (Jean Loup Pivin) Editorial
  • JAMES SHOAF TURNER, The Dictionary of Art, Macmillan Publishers Limited, 1996 (Editor).
  • PAUL CHIKE DIKE & PAT OYELOLA, The Zaria Art Society: A New Consciousness. National Gallery of Art. 1998.
  • NZEGWU NKIRU Contemporary Textures, Multidimensionality in Nigerian Art ISSA 1999.
  • CATHERINE KING, Views of Difference: Different Views of Art, Yale University Press, New Haven & London in association with The Open University 1999.
  • SIDNEY LITTLEFIELD KASFIR, Contemporary African Art – Thames & Hudson, London & New York 1999.
  • ISHOLA-LEMOMU, KUNLE, Bruce Onobrakpeya 1990–2000. Unpublished dissertation for the award of the Bachelor of Arts Degree, Lagoke Akintola University, Ogbomosho 2001
  • PAMELA MC. CLUSKY and ROBERT FARIS THOMPSON, Art from Africa-Long Steps Never Broke a Back, Seattle Art Museum and Princeton University

Press 2002.

  • MARTHA G. ANDERSON And PHILIP M. PEEK, Ways of the Rivers: Arts and Environment of the Niger Delta. UCLA Fowler Museum of Natural History, Los Angeles, 2002.
  • Richard Singletary Bruce Onobrakpeya, USA, 2002
  • BARBARA PLANKENSTEINER, Benin Kings and Rituals (Court Arts from Nigeria), 2007.
  • JEWELS OF NOMADIC IMAGES, with essays by Peju Laiwola, Ekpo Udo Udoma and Olu Amoda, published by Ovuomaroro, 2009
  • JOHN GODWIN AND GILLIAN HOPWOOD, The Architecture of Demas Nwoko, Farafina, Lagos. 2009.
  • MASKS OF FLAMING ARROWS, Edited by Dele Jegede, with essays by David Opkako and Gani Odutokun, 5 Continents, Italy, 2013.
  • DOZIE IGWEZE, The Story Teller of Agbarha-Otor, Bruce Onobrakpeya's Visual Tales. Hourglass Gallery, 2016.

Films and documentaries

[mali niŋ | mali mi di yibu sheena n-niŋ]
  • Kindreds Spirits: Contemporary Nigerian Artists, Smithsonian World Washington, D.C. USA
  • The Magic of Nigeria. Produced by Delka/Polystar directed by Ola Balogun, Lagos, Nigeria.
  • Recalling the Future Art by Joanna Grabski, Produced and directed by Claudine Pommier Executive Producer Cheikh Tidiane N'diaye./Arts in Action Society (Vancouver, Canada) 2002.
  • The Harmattan Workshop Experience: The Journey so far: film and documentary on 10 years the Agbarha- Otor Harmattan workshop Experience produced and directed by Onobrakpeya, 2009.
  • RedHot: Produced by Communication for Change, directed by Sandra Obiago, June 2011, Lagos, Nigeria.
  1. ↑ Bruce Onobrakpeya. Modern African Art. Archived from the original on 29 January 2008.
  2. ↑ NationalGallery of Modern Art Lagos. Nigeria Vacation.
Di yila "https://dag.wikipedia.org/w/index.php?title=Bruce_Onobrakpeya&oldid=102836"