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Alvia Wardlaw

Diyila Dagbani Wikipedia
Alvia Wardlaw
Houston, Silimin gɔli November 5, 1947 (run 78)
O ya TiŋgbaŋAmerica
ResidenceHouston
Education
Shikuru shɛli o ni chaŋJack Yates High School (en) Translate
New York University
Wellesley College (en) Translate
University of Texas at Austin (en) Translate
Shɛhira gbaŋDoctor of Philosophy in Art History (en) Translate
Tuma
Tumaart historian (en) Translate, curator (en) Translate ni professor (en) Translate
Ŋun kpuɣi o tumaTexas Southern University (en) Translate
Museum of Fine Arts, Houston (mul) Translate

Alvia J. Wardlaw (bɛ daa dɔɣi o la silimiin goli November dabaa anu dali yuuni 1947) nyɛla Americanima nucheeni baŋda ka nyɛ ŋun be tiŋgban maa nucheeni baŋdiba ban gaŋdu ka be African-American.[1]

Wardlaw nyɛla ŋun daa deegi B.A. degree in Art History shikuru yuli booni Wellesley College yuuni 1969.[2] Yuuni 1986, o daa deegi M.A. degree in Art History shikuru yuli booni New York University Institute of Fine Arts.[2] Yuuni 1996, o daa nya Ph.D. degree in Art History ka di daa yina University of Texas at Austin.[2]

  • 2006: Thorton Dial in the 21st Century; Museum of Fine Arts, Houston, exhibit and catalogue[3]
  • 2002–2006: The Quilts of Gees Bend – 11 cities
  • Our New Day Begun: African American Artists Entering the Millennium, exhibition catalogue, LBJ Library and Museum
  • Roy DeCarava: Photographs, exhibition and exhibition catalogue, The Museum of Fine Arts, Houston
  • Ceremonies and Visions: The Art of John Biggers
  • Homecoming. African American Family History in Georgia
  • John Biggers: Bridges
  • 1995: John Biggers: View from the Upper Room, Museum of Fine Arts, Houston
  • 2005: Notes from a Child's Odyssey: The Art of Kermit Oliver, Museum of Fine Arts Houston
  • 2008: Houston Collects: African American Art, Museum of Fine Arts, Houston
  • Dominique de Menil asked her to write an essay for the groundbreaking exhibition The De Luxe Show, August 22, 1971
  • The exhibition Handcrafted, an early show at the Studio Museum [in Harlem, 1972].
  • The Art of John Biggers: View from the Upper Room (with essays by Edmund Barry Gaither, Alison de Lima Greene, and Robert Farris Thompson), Museum of Fine Arts (Houston, TX), 1995.
  • (Editor) Grant Hill, Something All Our Own: The Grant Hill Collection of African American Art, Duke University Press (Durham, NC), 2004.
  • Notes from a Child's Odyssey: The Art of Kermit Oliver, Museum of Fine Arts (Houston, TX), 2005.
  • Charles Alston, Pomegranate (Petaluma, CA), 2007.
  • Also author of Black Art, Ancestral Legacy: The African Impulse in African-American Art, as an accompaniment to the exhibition. Di shɛli nyɛ The Black Scholar.[4]
  • Collecting African American Art: the Museum of Fine Arts Houston, 2009.[5]
  • Fulbright Fellowship in West Africa, Liberia, Sierra Leone and Senegal in 1984
  • Fulbright Award for study in Tanzania, East Africa in 1997[6]
  • Senior Fellow for the 2001 American Leadership Forum
  • Texas Women's Hall of Fame in 1994
  • Award of Merit from the University of Texas at Austin
  • Ethos Founders Award from Wellesley College
  • African American Living Legend by African-American News and Issues
  • Texas Southern University's Research Scholar of the Year in 2009.
  1. Houston stories central in Smithsonian's new African American museum - HoustonChronicle.com (2016-09-24).
  2. 1 2 3 KTRK (2018-02-28). Woman of the Week: Dr. Alvia Wardlaw, director and curator of TSU's University Museum (en).
  3. Thornton Dial in the 21st Century at MFAH.
  4. Wardlaw, Alvia J. | Encyclopedia.com.
  5. Franklin, John Hope; Alvia J. Wardlaw (2009). Collecting African American art : the Museum of Fine Arts, Houston. Museum of Fine Arts, Houston. ISBN 9780300152913. OCLC 269282205.
  6. (2009) "An Interview with Alvia Wardlaw". Callaloo 32 (1): 261–276. DOI:10.1353/cal.0.0393. ISSN 0161-2492.

Tɛmplet:Texas Women's Hall of Fame